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Played to death: bringing music back to life

Written By Anastazja Grudnicka | @AGrudnicka

Every once in a while I come across a certain kind of evidence that stays on my mind long after I move on with my research. Sometimes it’s the source itself, other times it’s the circumstances in which a particular text, object, picture appears that makes it echo at the back of my mind. Last year, and only a few weeks into my research on the culture of the Habsburg court in sixteenth-century Vienna, I stumbled across a source like this.

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Head Shaving during Ireland’s War of Independence

By Conor Heffernan

Troops storm into the house and forcibly evicting those inside. Screams of terror emanate from the house, growing louder and louder with each moment. Soon the house will be set on fire. In the melee that ensues, troops single out a woman known for collaborating with the enemy. Held down at gunpoint, her head is shaved. In the distance, fighters from the other side look on as she wails.

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The ‘Re-making’ of Great British Class

By James Dowsett

Britain is a nation peculiarly obsessed with social class. And not, perhaps, without reason, as Professor Mike Savage’s new book Social Class in the 21st Century argues: “classes are indeed being fundamentally remade.” [1] Really, one might argue that social class never really went away. Those of us wise to the cynicism of the British political elite likely look back with bemusement upon the naïve, millenarian, endorsed fiction of a “classless society” (John Mayor), matched with pre-emptive declarations that “class war is over” (Tony Blair). [2] This delusion of classlessness was born out of a barely-contained triumphalism upswing in the aftermath of the dissolution of the Soviet Union, the wrenching down of the Iron Curtain, and the end to half a century of cold-war antagonisms and polarised world-views.

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