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Played to death: bringing music back to life
Written By Anastazja Grudnicka | @AGrudnicka Every once in a while I come across a certain kind of evidence that stays on my mind long after I move on with my research. Sometimes it’s the source itself, other times it’s the circumstances in which a particular text, object, picture appears that makes it echo at the…
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Head Shaving during Ireland’s War of Independence
By Conor Heffernan Troops storm into the house and forcibly evicting those inside. Screams of terror emanate from the house, growing louder and louder with each moment. Soon the house will be set on fire. In the melee that ensues, troops single out a woman known for collaborating with the enemy. Held down at gunpoint,…
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‘Our story remains unwritten’: the ethics of writing histories across cultures
by Tom Smith What does it mean to write a history of a culture other than our own, and how do we do this sensitively? This is an issue upon which historians rarely reflect explicitly. My dual passions for American history and Pacific Ocean history have been fuelled not by any particular personal investment or…
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In praise of grandmothers (and oral histories)
By Louise Moschetta @LouiseMoschetta I’m not entirely sure whether I owe my interest in history to my grandmother but she certainly helped. Her house, which until very recently she still lived in, was built in 1972 and hasn’t changed much since. Walking through it has almost always been, with certain exceptions such as an ever larger…
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‘Where are the Dinosaurs?’: Reflections on Public History at the Museum of Jurassic Technology
by Tom Smith – @TomEtesonSmith What connects the obscure lives of neurophysiologist Geoffrey Sonnabend and opera singer Madelena Delani? Are these people even real? Is there really an elaborate miniature engraving of the Crucifixion on that seemingly ordinary fruit stone? Are we supposed to take these heroic portraits of the dogs of the Soviet space programme…
doinghistoryinpublic.org 