Category: Archive

  • Calling all Cambridge Graduate Historians: Put yourself on the Map!

    Calling all Cambridge Graduate Historians: Put yourself on the Map!

    The University of Cambridge History Faculty is recognised as one of the world’s leading history departments and it is the largest amongst the humanities and social science faculties at Cambridge. It is time to visualise the sheer diversity of the research being undertaken by History graduates. The map pins each student to their area of…

  • Margaret F. Rosenthal and Ann Rosalind Jones, The Clothing of the Renaissance World (2008)

    Margaret F. Rosenthal and Ann Rosalind Jones, The Clothing of the Renaissance World (2008)

    by Katy Bond  When Cesare Vecellio published his celebrated book of world dress in 1590, the Earth’s horizons must have seemed to the Venetian artist, to be ever-expanding. First published under the title, ‘Degli habiti antichi et oderni di diverse parti del mondo’ (‘Of the clothing, ancient and modern, of diverse parts of the world’),…

  • History and United States prison policy: an interview with Dr Heather Ann Thompson (Part I)

    History and United States prison policy: an interview with Dr Heather Ann Thompson (Part I)

    By Jess Hope As a glance at the profiles of this blog team will show, ‘doing history in public’ reflects a goal of making our practices as historians more transparent, collaborative and accessible. Many historians I’ve spoken with also hope to demonstrate that their research matters to the public, and that it has important political,…

  • Exposing the ‘Naked Man’: A 16th-century motif of cultural nudity

    Exposing the ‘Naked Man’:  A 16th-century motif of cultural nudity

    by Katy Bond “Everyone’s way is made known through clothing” said Hans Weigel, author of a 1577 costume book of Nuremberg which illustrated the dress of a variety of nations.[i] In Renaissance Europe, it was expected that one’s countrymen would be identifiable through distinctive modes of dressing.

  • World Factory: fabricating a digital quilt

    World Factory: fabricating a digital quilt

    by Katy Bond, Jess Hope and Anne Alexander Cambridge historians were recently invited to contribute research to World Factory, an interdisciplinary performance project exploring the global textile industry through the lenses of nineteenth-century Manchester and present-day China. A collaboration between Zoë Svendsen and Simon Daw of performing arts company Metis and Shanghai-based theatre director Zhao Chuan, it…