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Reorienting the Home Front: Spatial History and Collective Memory
By Clemency Hinton (@clemencyhinton) Does the past sometimes feel ‘far away’? Can we ever ‘go back’? And ‘where’ did we come from? These questions demonstrate that we often conceptualise and speak about history in spatial terms. That is, we describe the past as a place. History has famously been called a ‘foreign country’. Perhaps the…
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Tall Tales and Shaping the Research of the Future
By Helen Sunderland (@hl_sunderland) When I first saw the University Library as a new Cambridge student last October it looked like something from a dystopian novel. The library tower loomed above me – a modernist monument to humanity’s pursuit of knowledge. With the addition of a few slogans on the walls, I thought, it would fit right…
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Staging History: Mary Stuart
Harriet Lyon (@HarrietLyon) reviews Friedrich Schiller’s play Mary Stuart, adapted and directed by Robert Icke. What is history if not a series of contingencies? For every thing that happens, an infinite number of other possibilities are extinguished. But what if things had been different? Although writing history certainly involves a good dose of imagination, academic historians have…
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The Grand (Archival) Tour
By Zoe Farrell (@zoeffarrell) One of the many advantages of being a historian who studies other countries is the ample opportunities for travel. My work focuses on artisans and material culture in sixteenth-century Verona, and I have therefore spent a lot of time in Veronese archives. However, I am also interested in how Renaissance culture travelled,…
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Theatre History: Out of the Archives and Onto the Stage
by Holly Dayton | hollyedayton@gmail.com Few people know that Lady Randolph Churchill, Winston’s American mother, was a playwright. If they happen to know of her, they only know her as the mother of Winston Churchill. Yet she wrote three plays over the course of her life: His Borrowed Plumes (1909), The Bill (1913), and Between the…
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