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20. John’s Leaves and Elizabeth’s Flowers
By Maggie Kalenak Botanical specimens like the ones pictured can be found in archives all over the U.K., delighting the unsuspecting reader by tumbling out of 19th century envelopes. Whether to a family member, friend or sweetheart, flowers and leaves were frequently tucked into letters to further personalise the experience of their recipients. In the…
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22. ‘Against Idleness’ Mug
By Meg Roberts (@megeroberts) In the eighteenth and nineteenth centuries, as industry and population swelled, an enduring fear of ‘idleness’ as a morally corrupting and irresponsible vice took on new significance in both Britain and America. This fear could almost be described as an obsession. Across print and material culture throughout this period, the indolence of…
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16. Gandhi’s ‘Guide to London’
By Alex White (@alex_j_white) Travel literature can be invaluable to historians studying the dynamics of migration, tourism and cultural difference. However, they can be equally useful for shedding light on the interests and preoccupations of their own authors. This is certainly the case with Gandhi’s Guide to London, an unpublished booklet from 1893 written for…
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19. A Sphinx Carving
By Martin Crevier (@Crevier__Martin) This carving of a Sphinx came to the British Museum in 1896 from Haida Gwaii, a Pacific archipelago off the coast of what is today the Canadian province of British Columbia. The artist, Simeon Stildha (1799-1889), was a chief of the Haida people, the islands’ indigenous inhabitants.
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Fashion Gallery as Archive: Researching Dress History in Museums
By Zara Kesterton (@ZaraKesterton) In recent years, it has become fashionable to talk of an ‘archival turn’ in history, in which the site of record-keeping has itself come under scrutiny.[1] At the same time, material history has risen to prominence as an intriguing counterpart or companion to the paper-trail left by written documents.[2] As someone…
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