I was recently invited to user-test Wiley Digital Archives’ (WDA) platform which holds digitised archives from various societies including The Royal College of Physicians (RCP), The New York Academy of Sciences (NYAS), Royal Geographical Society (with IBG) (RGS) and The Royal Anthropological Institute of Great Britain and Ireland (RAI). The WDA platform is a wonderful resource, bringing together numerous collections and enabling cross-referencing across multiple archive collections.
Posts from the ‘Interviews’ Category
Alice Procter is a historian of material culture based at UCL. She has six years of tour guiding experience at heritage sites and galleries and runs Uncomfortable Art Tours, podcasts and writes under the umbrella of The Exhibitionist. I had the chance to interview you her about her work and to discuss how her tours fit into wider critiques of national history, spaces and narratives.
Emily Redican-Bradford interviews Dr Hanno Balz, who has recently joined the Faculty of History at Cambridge, having previously taught at the universities of Bremen, Lüneburg and John Hopkins. His research focuses on Modern German and European History.
Dr Balz, as part of your research, you examine the protest movements and student revolts of 1968. Does this time period represent a turning point in how protest and political cultures in Western Europe were understood, in your opinion?
Yes, I think we can say that, especially when we look at the protests as, first of all, student protests. This is the first time, after the Second World War, that the majority of the students are more liberal-minded or left-wing than the overall population. This was not the case before the war, when it was so much more elitist. In post-war societies, universities built a lot of new institutes and governments opened up the universities for working-class youth, because a new generation was needed for more demanding jobs. It was mainly training and educating white-collar workers, and that’s a change. It’s an expression of the New Left as well, and it’s also a youth movement that’s an anti-systemic movement, which ventures away from the old party structures, the labour union structures, that had had a grip on left-wing mobilization for the previous hundred years.
Can you tell us a bit about your research?
George: My PhD researches the history of HIV/AIDS activism in England from 1982, the year of the first AIDS-related death in the UK, to 1997, the year after the introduction of highly active antiretroviral therapy which transformed a diagnosis with the virus from a terminal to a chronic one. 1997 also saw the end of 18 years of Conservative government with the election of Tony Blair’s Labour government.
Bethan: My research analyses a particular form of nationalism in North America and Europe between 1965 and 1975. I call this type of nationalism ‘militant separatism’ as it is characterised by a commitment to separation from the governing state through extremely violent methods. I study the role of ‘organic intellectuals’ – influential but not formally trained thinkers – in the activism of ten separatist groups, across five countries.
Tom Smith and Helen Sunderland (Doing History in Public) talk to Judd Birdsall, Managing Director of the Cambridge Institute on Religion & International Studies based at Clare College, Cambridge
Doing History in Public: Hi Judd. Could you tell us a bit more about CIRIS and its work?
Judd Birdsall (CIRIS): The Cambridge Institute on Religion & International Studies (CIRIS) is a multi-disciplinary research centre at Clare College, Cambridge. We aim to provide students, practitioners, and the general public with credible and engaging insights that will shape new scholarship, sound policy, and constructive debate on the role of faith in international affairs. Read more
By Amy Schaffman
Recently, an exciting discovery was made in the National Library of Norway. A rare, lost Disney film, Empty Socks (1927), was identified. Empty Socks is one of the few Disney films to employ Oswald the Lucky Rabbit, a forerunner of Mickey Mouse. Oswald the Lucky Rabbit was lost in deal with Universal Studios. I was privileged to discuss the discovery with Eirik Hanssen, the head of the Library’s Film and Broadcasting Division in the Library’s Department of Research. He specializes in open access to rare materials.