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Posts from the ‘Methodology’ Category

Nov 15

PhD Challenges: The Tangled Web of Historiography

By Eleanor Russell

Any historian endeavouring to research an area of history must investigate its historiography (the scholarship of previous historians); not only using their evidence and arguments but analysing, revising, and, where appropriate, challenging them. For historians, this process can be fraught with tension and doubt: which texts do I need to read? Who has already been debunked? What are the prevailing arguments and when and how did they develop? And – crucial for PhD students – who CAN I challenge? Read more

Oct 25

‘Where are the Dinosaurs?’: Reflections on Public History at the Museum of Jurassic Technology

by Tom Smith – @TomEtesonSmith

What connects the obscure lives of neurophysiologist Geoffrey Sonnabend and opera singer Madelena Delani? Are these people even real? Is there really an elaborate miniature engraving of the Crucifixion on that seemingly ordinary fruit stone? Are we supposed to take these heroic portraits of the dogs of the Soviet space programme seriously? Are bees really seen to be so integral to the life cycle within certain cultures that they must be told if a member of the family has married or died, and are invited (in writing) to funerals? And what on earth does that have to do with Alexander Fleming? Read more

May 31

2 Comments

‘Our story remains unwritten’: the ethics of writing histories across cultures

by Tom Smith

What does it mean to write a history of a culture other than our own, and how do we do this sensitively? This is an issue upon which historians rarely reflect explicitly. My dual passions for American history and Pacific Ocean history have been fuelled not by any particular personal investment or cultural immersion, but by pure fascination. While I’ve visited the United States a handful of times, dipping my toes in the waters of San Francisco Bay is the closest I’ve ever come (geographically speaking) to the Pacific cultures whose histories I claim to represent. Read more

May 24

1 Comment

Wanted: A More Complicated History of Belgium’s Congolese ‘Heart of Darkness’

by Eva Schalbroeck

Whenever I say that I study the history of Belgian imperialism in the Congo, most people confess to not knowing that Belgium had a colony. Others describe it as a particularly nasty and violent episode’. My explanations of ‘it’s far less black-and-white’ or ‘it’s complicated’ often confuse more than they illuminate. Popular media often associates Belgian imperialism with the ‘Red Rubber’ regime of the villainous and greedy King Leopold II. An article in New African calls him a ‘mass muderer’, who exploited the Congolese population to near extinction. Chopping off their limbs was ‘part of the “the butcher of the Congo’s” ‘repertoire’. According to an article in History Today ‘the Congo Free State evolved from a vanity possession into a slave plantation’. Leopold’s ‘playground’ and ‘hell’ operated with an insane logic’, allowing him to ‘cash in’ on rubber. It makes the bold claim that Leopold’s reign of terror anticipated twentieth-century totalitarianism. Depicting him as the ‘African Hitler’, Leopold’s legacy is described as a Holocaust. Read more

May 3

Dying Declarations – Last Words in the hands of Historians

By Alex Wakelam @A_Wakelam

In May 1906 the great Norwegian playwright Henrik Ibsen lay in his sick bed. That evening an old friend arrived from town to see the aged tragedian. Entering the room he greeted the nurse with “How is Mr Ibsen today?” “Oh”, she cheerily replied, “he’s doing much better.” At this Ibsen sat up incredulous in bed declaring “Tvert imod!” (tr. On the contrary!) upon which he fell back into his pillow unconscious, dying shortly thereafter.[1] For a writer whose characters rarely even cracked a smile, he managed to exit the world with one of the finest deathbed jokes in history. Read more

Feb 23

1 Comment

3D scans – bringing History to a wider audience.

by James Lloyd – @jtlloyd3

James is a PhD student at the University of Reading/Exeter in Classics. His thesis is entitled: ”Music and Ritual in Ancient Sparta: the lead votive figurines of the Sanctuary of Artemis Orthia”

In recent years, there has been a flurry of new technologies emerging at a price which makes them (just about) affordable, notably 3D scanners and printers, and such technologies have attracted attention in the news of late for their employment in the digital recreation of artefacts and archaeological sites destroyed by IS. Indeed, 3D printing is a wonderful tool for bringing the past to life: Museum3D, for example, uses its 3D prints to engage museum visitors with low-vision and Alzheimer’s. However, as this post will show, 3D scans are just as important to public history. Read more

Jan 19

Secrets in the Archives – Breaching the personal privacy of the long dead

By Alex Wakelam @A_Wakelam

The natural course of a life leaves an unintentional trail of breadcrumbs. Generally we never think twice of what we leave in the historical record whether it be major life moments (birth, marriage, change of address) or the little things like the discarded bus ticket or receipt for coffee that gets miraculously preserved. These fingerprints on the tapestry of history are the bread and butter of historians and while they aren’t meant for the view of others we don’t really mind their publicity. But we also leave behind more private records; diaries, love letters, disastrous teenage poetry – things that we’d rather no one else see either due to their embarrassing nature or simply because they are entirely private, they should belong only to us.
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Oct 29

1 Comment

Bringing archives back to life

By Alex Wakelam | @A_Wakelam

Archives can be peculiar places. Each comes with its own personal variety of watchful archivists, identification requirements, seating regulations and occasionally (for those who’ve tried to enter the almost impenetrable fortress that is the Bodleian) oaths to swear. They sometimes seem like sacred historical spaces (Cathedral archives often literally are) where only the enlightened, the blessed, the chosen brothers and sisters of history speaking “shibboleth” may enter. They are, of course, anything but. Despite the grumbling academics trying to expel anyone but themselves from the British Library and presumably from anywhere they deem “their territory”, those documents labelled “Public Records” are, as the name suggests, publicly owned and publicly accessible. The 1958 Public Records Act even specifically requires the provision of ‘reasonable facilities … available to the public for inspecting and obtaining’ historical records.

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Jun 12

Putting down the books: when is research ‘complete’?

By Jess Hope

When I was an undergraduate, I wrote a history essay where my main primary source was an ‘eyewitness account’ of the events I was describing. It was detailed and colourful, full of vivid descriptions, quotes and recollections. It was great fun both to read and to write about.

It was only later that I discovered that this particular ‘eyewitness’ may not have actually, exactly….well, been there. Read more

Apr 30

1 Comment

When is Research Worth it?

By Matthew Tibble

Matthew is an MPhil student in Early Modern History at the University of Cambridge. He is currently researching religious counsel during the mid-Tudor period.

I have been studying history for the better part of four years, yet it was only recently that I managed to fulfil the archetypal ambition of making an original ‘discovery’. Like so much of modern historical research, it began by persistently trawling through online resources, flicking through digital facsimile images of countless early printed works, and noticing a small peculiarity. Laurence Saunders, a clergyman who died on 8th February 1555, had purportedly written a book that described in great detail the trial of two Protestant martyrs, Hugh Latimer and Nicholas Ridley, who had later been burned at the stake by Mary I. The trial is known to have taken place in October, eight months after Laurence Saunders’ death, inherently undermining his contention that, ‘I was there presente at the doing of thys…and heard al for the most part with mine eares’.[1] Read more

Apr 21

Historical Voices

By Kayt Button, @kayt_button

Today we collect a vast array of readily available information in the form of statistics, stories, reports, and videos available publicly on the internet or through more official channels. These are created by journalists, public servants, and the public at large who are able to self-publish. Before the advent of what has been named “Big Data”, events were written down, or photographed, by a few individuals and published. Before that, pictures and oral histories recorded important events. All these sources have their own difficulties – in the case of Big Data, as the name suggests, the volumes of available information can be overwhelming. Hard copy written sources were authored by someone and understanding the writer can be as important as what they reported, which is also true of oral history, drawings, and photographic evidence. Read more

Mar 17

To ask or not to ask: that is the question

By Emily Ward, @1066unicorn

Palms sweating, mouth dry, heart pounding in my chest, my thoughts racing. I realise that I’m going to do it. Tentatively I gather my courage, swallow down the fear and start to raise my hand. Hand up, there’s no going back; I’m spotted and heads turn my way. Eyes on me, I open my mouth. Barely formulated sentences tumble out. I wait. Then clearly I have made enough sense that the watching eyes turn forward again. I have just asked my first question at a history conference.* Read more

Feb 26

How people saw: looking at photographs in history

By Jess Hope

“To the complaint, ‘There are no people in these photographs,’ I respond, ‘There are always two people: the photographer and the viewer.” – Ansel Adams

How do historians approach photographs as sources? Those of us who study the mid-19th century to the present can access a wealth of moments ‘captured’ on film, ranging from portraits and images of domestic life to war photography and documentary photojournalism. Historical photographs provide fascinating contextual information: who was present at a certain event, what they wore, the kinds of wallpaper designs that were fashionable at the time. But can we rely on what we see? And how should we interpret it? Read more

Feb 19

6 Comments

How do historians write?

By Tom Goodwin, @tgooders

Thomas is an MPhil student in Early Modern History. He is currently researching sixteenth-century Italian heretics and their use of the printing press.

I spent the morning putting in a comma; I spent the afternoon taking it out – Oscar Wilde

Writing history remains something of a dark art. From the beginning of your degree in history, there is a great deal of focus on how to do research: that is, how one should approach sources and analyse historical arguments, covering a wide range of different methods and theoretical approaches. Read more

Feb 3

And the rest as they say… (a manifesto for Techno-enviro-cultural-socioeconomic-politics)

By Kayt Button

When we think about historical research, it is easy to picture someone trapped behind piles of dusty literature and papers, getting lost in the minutiae of their chosen subject. After all, years of study of history have preceded their final, chosen, specialised subject of “The Pig War of 1859”!

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Jan 27

Can Historians Study the Mind?

By Carys Brown

Carys is a studying for an MPhil in Early Modern History. Her current research is on trust, Catholicism, and confessional co-existence, c. 1688-1750.

Looking into the minds of people who have been dead for 300 years may seem like something of an impossible task. Since the 1970s, however, historians have increasingly attempted just that. A focus on ‘mentalities’ and ideology has demanded creative uses of source material in an attempt to tap into past minds. Read more

Jan 20

Empty Socks: a Tale Full of Surprises

By Amy Schaffman

Recently, an exciting discovery was made in the National Library of Norway. A rare, lost Disney film, Empty Socks (1927), was identified. Empty Socks is one of the few Disney films to employ Oswald the Lucky Rabbit, a forerunner of Mickey Mouse. Oswald the Lucky Rabbit was lost in deal with Universal Studios. I was privileged to discuss the discovery with Eirik Hanssen, the head of the Library’s Film and Broadcasting Division in the Library’s Department of Research. He specializes in open access to rare materials.

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Jul 26

3 Comments

The WorldCafé – a way to discuss history

by Charlotte Jahnz

Charlotte Jahnz (@CJahnz) is a Masters student in history at Bonn University and Community Manager at the Max Weber Stiftung.

One way to discuss history in public is through a WorldCafé, which aims to bring together experts and participants. Gesche Schifferdecker (@GSchifferdecke), press officer at Max Weber Stiftung, is currently organizing the second WeberWorldCafé, “Narrating the First World War – Experiences and Reports from Transregional Perspectives”, which will be taking place at the Deutsches Historisches Museum in Berlin on the 16th of September, 2014.

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