By Dom Birch
The writing of history, we are told, is a political occupation—all historians have a political lens through which they work, or view the past. This viewpoint has led to historians convincing themselves that their work can almost always be justified in political terms. Justifying history as politics is doomed from the start: academic historians have very little influence on the political action and consciousness of the general population, and unavoidably political and intellectual purposes for writing history come into conflict. Historians inevitably need, at some point, to either change their politics or change their evidence. Read more
By Eleanor Russell
Any historian endeavouring to research an area of history must investigate its historiography (the scholarship of previous historians); not only using their evidence and arguments but analysing, revising, and, where appropriate, challenging them. For historians, this process can be fraught with tension and doubt: which texts do I need to read? Who has already been debunked? What are the prevailing arguments and when and how did they develop? And – crucial for PhD students – who CAN I challenge? Read more
By Megan Suster
The unofficial mantra of Riverside, California by the beginning of the twentieth century was ‘Citrus is king!’ Starting with Valencia oranges in the California missions in the southern half of the state, and further catalyzed by the Bahia Navel orange that came to town in 1873, the citrus industry became central to how Riverside, and surrounding cities like nearby Redlands and faraway Pasadena, identified themselves. As a result, there is an unwavering nostalgia in Southern California for its citrus heritage, and California Citrus State Historic Park aims to preserve some of this in the form of nearly 300 acres of groves, as well as a small museum. Read more
by Tom Smith – @TomEtesonSmith
What connects the obscure lives of neurophysiologist Geoffrey Sonnabend and opera singer Madelena Delani? Are these people even real? Is there really an elaborate miniature engraving of the Crucifixion on that seemingly ordinary fruit stone? Are we supposed to take these heroic portraits of the dogs of the Soviet space programme seriously? Are bees really seen to be so integral to the life cycle within certain cultures that they must be told if a member of the family has married or died, and are invited (in writing) to funerals? And what on earth does that have to do with Alexander Fleming? Read more
by Tom Smith
What does it mean to write a history of a culture other than our own, and how do we do this sensitively? This is an issue upon which historians rarely reflect explicitly. My dual passions for American history and Pacific Ocean history have been fuelled not by any particular personal investment or cultural immersion, but by pure fascination. While I’ve visited the United States a handful of times, dipping my toes in the waters of San Francisco Bay is the closest I’ve ever come (geographically speaking) to the Pacific cultures whose histories I claim to represent. Read more
by Eva Schalbroeck
Whenever I say that I study the history of Belgian imperialism in the Congo, most people confess to not knowing that Belgium had a colony. Others describe it as a particularly nasty and violent episode’. My explanations of ‘it’s far less black-and-white’ or ‘it’s complicated’ often confuse more than they illuminate. Popular media often associates Belgian imperialism with the ‘Red Rubber’ regime of the villainous and greedy King Leopold II. An article in New African calls him a ‘mass muderer’, who exploited the Congolese population to near extinction. Chopping off their limbs was ‘part of the “the butcher of the Congo’s” ‘repertoire’. According to an article in History Today ‘the Congo Free State evolved from a vanity possession into a slave plantation’. Leopold’s ‘playground’ and ‘hell’ operated with an insane logic’, allowing him to ‘cash in’ on rubber. It makes the bold claim that Leopold’s reign of terror anticipated twentieth-century totalitarianism. Depicting him as the ‘African Hitler’, Leopold’s legacy is described as a Holocaust. Read more
By Alex Wakelam @A_Wakelam
In May 1906 the great Norwegian playwright Henrik Ibsen lay in his sick bed. That evening an old friend arrived from town to see the aged tragedian. Entering the room he greeted the nurse with “How is Mr Ibsen today?” “Oh”, she cheerily replied, “he’s doing much better.” At this Ibsen sat up incredulous in bed declaring “Tvert imod!” (tr. On the contrary!) upon which he fell back into his pillow unconscious, dying shortly thereafter. For a writer whose characters rarely even cracked a smile, he managed to exit the world with one of the finest deathbed jokes in history. Read more
by James Lloyd – @jtlloyd3
James is a PhD student at the University of Reading/Exeter in Classics. His thesis is entitled: ”Music and Ritual in Ancient Sparta: the lead votive figurines of the Sanctuary of Artemis Orthia”
In recent years, there has been a flurry of new technologies emerging at a price which makes them (just about) affordable, notably 3D scanners and printers, and such technologies have attracted attention in the news of late for their employment in the digital recreation of artefacts and archaeological sites destroyed by IS. Indeed, 3D printing is a wonderful tool for bringing the past to life: Museum3D, for example, uses its 3D prints to engage museum visitors with low-vision and Alzheimer’s. However, as this post will show, 3D scans are just as important to public history. Read more
By Alex Wakelam @A_Wakelam
The natural course of a life leaves an unintentional trail of breadcrumbs. Generally we never think twice of what we leave in the historical record whether it be major life moments (birth, marriage, change of address) or the little things like the discarded bus ticket or receipt for coffee that gets miraculously preserved. These fingerprints on the tapestry of history are the bread and butter of historians and while they aren’t meant for the view of others we don’t really mind their publicity. But we also leave behind more private records; diaries, love letters, disastrous teenage poetry – things that we’d rather no one else see either due to their embarrassing nature or simply because they are entirely private, they should belong only to us.
By Alex Wakelam | @A_Wakelam
Archives can be peculiar places. Each comes with its own personal variety of watchful archivists, identification requirements, seating regulations and occasionally (for those who’ve tried to enter the almost impenetrable fortress that is the Bodleian) oaths to swear. They sometimes seem like sacred historical spaces (Cathedral archives often literally are) where only the enlightened, the blessed, the chosen brothers and sisters of history speaking “shibboleth” may enter. They are, of course, anything but. Despite the grumbling academics trying to expel anyone but themselves from the British Library and presumably from anywhere they deem “their territory”, those documents labelled “Public Records” are, as the name suggests, publicly owned and publicly accessible. The 1958 Public Records Act even specifically requires the provision of ‘reasonable facilities … available to the public for inspecting and obtaining’ historical records.
By Jess Hope
When I was an undergraduate, I wrote a history essay where my main primary source was an ‘eyewitness account’ of the events I was describing. It was detailed and colourful, full of vivid descriptions, quotes and recollections. It was great fun both to read and to write about.
It was only later that I discovered that this particular ‘eyewitness’ may not have actually, exactly….well, been there. Read more
By Carys Brown @HistoryCarys
Museums are wonderful yet bizarre places. A treasure trove of pieces of the past. Hundreds of objects, rare, fragile, ordinary, extraordinary, arranged in glass cases, beautifully isolated from their original surroundings. This perhaps slightly sterile environment allows us to appreciate the beauty and ingenuity of objects. But is this really how we ought to view their history?
By Matthew Tibble
Matthew is an MPhil student in Early Modern History at the University of Cambridge. He is currently researching religious counsel during the mid-Tudor period.
I have been studying history for the better part of four years, yet it was only recently that I managed to fulfil the archetypal ambition of making an original ‘discovery’. Like so much of modern historical research, it began by persistently trawling through online resources, flicking through digital facsimile images of countless early printed works, and noticing a small peculiarity. Laurence Saunders, a clergyman who died on 8th February 1555, had purportedly written a book that described in great detail the trial of two Protestant martyrs, Hugh Latimer and Nicholas Ridley, who had later been burned at the stake by Mary I. The trial is known to have taken place in October, eight months after Laurence Saunders’ death, inherently undermining his contention that, ‘I was there presente at the doing of thys…and heard al for the most part with mine eares’. Read more
By Kayt Button, @kayt_button
Today we collect a vast array of readily available information in the form of statistics, stories, reports, and videos available publicly on the internet or through more official channels. These are created by journalists, public servants, and the public at large who are able to self-publish. Before the advent of what has been named “Big Data”, events were written down, or photographed, by a few individuals and published. Before that, pictures and oral histories recorded important events. All these sources have their own difficulties – in the case of Big Data, as the name suggests, the volumes of available information can be overwhelming. Hard copy written sources were authored by someone and understanding the writer can be as important as what they reported, which is also true of oral history, drawings, and photographic evidence. Read more
By Emily Ward, @1066unicorn
Palms sweating, mouth dry, heart pounding in my chest, my thoughts racing. I realise that I’m going to do it. Tentatively I gather my courage, swallow down the fear and start to raise my hand. Hand up, there’s no going back; I’m spotted and heads turn my way. Eyes on me, I open my mouth. Barely formulated sentences tumble out. I wait. Then clearly I have made enough sense that the watching eyes turn forward again. I have just asked my first question at a history conference.* Read more
By Tom Goodwin, @tgooders
Thomas is an MPhil student in Early Modern History. He is currently researching sixteenth-century Italian heretics and their use of the printing press.
I spent the morning putting in a comma; I spent the afternoon taking it out – Oscar Wilde
Writing history remains something of a dark art. From the beginning of your degree in history, there is a great deal of focus on how to do research: that is, how one should approach sources and analyse historical arguments, covering a wide range of different methods and theoretical approaches. Read more
By Carys Brown
Carys is a studying for an MPhil in Early Modern History. Her current research is on trust, Catholicism, and confessional co-existence, c. 1688-1750.
Looking into the minds of people who have been dead for 300 years may seem like something of an impossible task. Since the 1970s, however, historians have increasingly attempted just that. A focus on ‘mentalities’ and ideology has demanded creative uses of source material in an attempt to tap into past minds. Read more
By Amy Schaffman
Recently, an exciting discovery was made in the National Library of Norway. A rare, lost Disney film, Empty Socks (1927), was identified. Empty Socks is one of the few Disney films to employ Oswald the Lucky Rabbit, a forerunner of Mickey Mouse. Oswald the Lucky Rabbit was lost in deal with Universal Studios. I was privileged to discuss the discovery with Eirik Hanssen, the head of the Library’s Film and Broadcasting Division in the Library’s Department of Research. He specializes in open access to rare materials.