If you walk into any charity shop, you are more than likely to find, somewhere, a box or folder full of old knitting patterns. The majority of people would overlook these – to those that cannot knit, the sheets look like indecipherable code, but even to those that can, the patterns are considered dated. But these publications are an archive of everyday material culture of their own, which merit engagement.
Posts from the ‘Projects’ Category
DHP were invited to speak at the Public and Popular History seminar on 5 February 2020. We sent along our Editor, Stephanie Brown, and member of the editorial team, Laura Flannigan. Also, on the panel was Dr Robert Saunders (Queen Mary London), who is a prolific author on nineteenth and twentieth century British politics, including his acclaimed book Yes to Europe: The 1975 Referendum and Seventies Britain (2018).
My experience as a student at Cambridge centred around the feminist activism I chose to get involved in, as part of the Women’s Campaign. I learned that feminist work is legacy work in the physical spaces I shared and created with women and non-binary people. My involvement in these spaces led me to run for my current position as the full-time Women’s Officer on the students’ union (CUSU), where I work closely with people who influenced my feminist activism. Christine Pungong, the current CUSU and GU Welfare and Rights Officer, was one of the first people I met when I joined Cambridge as an undergraduate and has been part of my feminist community during the last four years of our involvement with the Women’s Campaign and student organising. The Our Streets project, a collaboration between the Women’s Campaign and Welfare portfolio, represents these kinds of feminist communities that enable us to survive in these spaces, legacies which are often missing from our depiction of Cambridge as an intensely competitive environment.
By Dr Marta Musso (@martamusso)
For Historical Archives, investing in digitisation is an extremely expensive, time consuming, and complex endeavour. It is well worth the effort, but it is fundamental to implement all the opportunities that digital technologies offer to archives. Since the beginning of the millennium, archives and cultural heritage institutions have started to reflect on the new challenges and opportunities brought about by the digital age. The guidelines created in 2002 by the International Council of Archives indicated full digitisation and online availability of archival material as the main objective for archives in the digital age. Now, even in a utopic world where archives had infinite budget and resources, this is a very long-term and ambitious goal – we are talking about millions, trillions of paper and analogue documents that need to be digitised and indexed online. At the same time, opening its heritage to everyone in the world is the goal of any archive; and for national and public archives it is part of their mandate.
By Elissa O’Connell (@ElissaOConnell)
As readers will surely be aware, 2018 has been a historically significant year for women’s history and archives. The centenary of some women gaining the vote has created many opportunities to celebrate women-led activism across the UK, as well as to reinforce the need to document and protect these herstories through archiving and heritage. 2018 also marks the 40th anniversary of the Feminist Archive South (FAS), established in 1978 to document the herstories of international feminist social movements active between 1960-2000. The need to celebrate these vital campaigns for democracy and women’s rights has raised important questions about imperialism in women’s movements more widely.
As I come to terms with the fact that I will soon no longer be able to call myself a first-year PhD student, I want to give some advice to those starting their doctoral research. Things I wish I knew when I started, some things I’ve learnt and others that I am still working on…
- Don’t worry if you don’t know where to start. This is completely normal. Moving to a new city and a new university, everything felt quite overwhelming at first. With post-induction information overload, it took a good couple of months for me to settle into a research routine. Read more
Does the past sometimes feel ‘far away’? Can we ever ‘go back’? And ‘where’ did we come from? These questions demonstrate that we often conceptualise and speak about history in spatial terms. That is, we describe the past as a place. History has famously been called a ‘foreign country’. Perhaps the more ancient the history, the more time we need to spend in transit – interpreting, translating, contextualising – to get there.
By Helen Sunderland (@hl_sunderland)
6 February will mark one hundred years since the first women in Britain gained the right to vote in national elections. The Representation of the People Act of 1918 enfranchised 40% of women in the UK and was the result of decades of campaigning by various organisations across the country. It was a key step towards women getting the vote on equal terms to men ten years later. To celebrate this milestone in women’s history, Cambridge University Library is displaying some of its collections on women’s suffrage for the first time. Read more
By Megan Suster
The unofficial mantra of Riverside, California by the beginning of the twentieth century was ‘Citrus is king!’ Starting with Valencia oranges in the California missions in the southern half of the state, and further catalyzed by the Bahia Navel orange that came to town in 1873, the citrus industry became central to how Riverside, and surrounding cities like nearby Redlands and faraway Pasadena, identified themselves. As a result, there is an unwavering nostalgia in Southern California for its citrus heritage, and California Citrus State Historic Park aims to preserve some of this in the form of nearly 300 acres of groves, as well as a small museum. Read more
by Janine Noack
On Monday, March 31, historyworks.tv and Pilot Theatre invited #twitterstorians and various other local people from Cambridge who are involved in the Cycle of Songs project to its launch party. The Cycle of Songs is an attempt to bring together historians, poets, choirs, musicians, and other interested parties to create a festive, fun day when the Tour de France goes through Cambridge on July 7, 2014.
by Janine Noack
On March 21/22 the conference “The Media in History and History in the Media” took place Cambridge, Sidney Sussex College. Around 20 participants from European Universities discussed their research in the area of Media History and possibilities for historians to interact with the in different panels. The conference report will be published soon! David Reynolds gave keynote speech. Follow the link for the program:
We tweeted about the conference using #dohistory.
by Janine Noack
Some of our bloggers (Tiia Sahrakorpi, Emily Ward, Marta Musso, Janine Noack) are currently working together with Helen Weinstein and historyworks.tv on the project ‘Cycle of Songs’ (#cycleofsongs). When the Tour de France arrives in Cambridge on 7 July 2014 we will tell hidden stories of the city’s past along the route of the race. The stories will be performed by local people, choirs and musicians and be available online to listen to via podcasts.