By Harriet Lyon @HarrietLyon
On 5 November 1605, Guy Fawkes, one of a number of Catholic conspirators against the Protestant king of Scotland and England James VI and I, was caught emerging from a vault beneath the Houses of Parliament that had been stacked with barrels containing almost a ton of gunpowder. The scheme having failed, Fawkes and his fellow plotters were arrested, tried, and executed for treason. On the one-year anniversary of the failure of the plot, the king issued a ‘Thanksgiving Act’, which lauded the ‘miraculous and gracious deliverance’ of the Church of England from ‘malignant and devilish papists’ and called for the annual public commemoration of the overthrow of Catholic conspiracy. The Book of Common Prayer was updated to include a sermon that could be read every year on 5 November, but it was not long before these solemn remembrances became raucous celebrations, marked with explosions of gunpowder and by burning effigies of Guy Fawkes.
Posts tagged ‘17th century’
By Harriet Lyon @HarrietLyon
The brandy is the first thing that hits me, followed by the creeping spiced sweetness of currants and raisins. Then, bafflingly, there emerges the equally spicy taste and texture of meat. All of this is encased in a crisp, short-crust-type pastry and topped with some fairly inept attempts at pastry decorations (see picture, top right).
I wasn’t sure how I felt about the ‘Minc’d pie’ I had just created, but the affront it presented to my taste-buds and the early modern recipe I used to make it did make me curious.1 Given that the combination of sweet fruits and spices with actual minced meat is quite challenging to a modern palette, what was its function at a late-seventeenth-century dinner? Modern mince pies have a very specific Christmassy association and the taste of one can evoke strong memories of occasions of Christmas past. Did early modern consumers of minced pies hold them in such esteem as we do?
By Anna Knutsson @annaknutsson
Anna Knutsson is an MPhil student in Early Modern History at the University of Cambridge. She is currently researching expressions of female involvement in medicine in Renaissance Florence.
Director: Alan Rickman
Cast: Kate Winslet, Stanley Tucci, Alan Rickman, Jennifer Ehle, Matthias Schoenaerts, Helen McCrory.
Lack of commitment is a constant complaint of many people in the modern west. Unfortunately for the period drama lover, this has now also extended into the glorious realm of hooped skirts and curvaceous furniture. Whilst A Little Chaos offers an appealing concept to its audience in the form of history from below, it fails to deliver. Following the gardener Sabine de Barra’s (Kate Winslet) work to create the renowned rock garden at Versailles, the film explores the role of women at work and the difficulties of getting over a personal tragedy, intermingled with a lacklustre love story and Louis XIV’s (Alan Rickman) search for freedom.
By Joan Redmond
Northern Ireland and its troubled past has been in the news a lot in the past few months. First, there were the failed 2013 negotiations chaired by Richard Haass that aimed to deal with the legacy of the Troubles; in the past few weeks, controversy has again erupted over the collapse of the John Downey trial, and the ‘secret’ letters issued to on-the-run IRA members. Northern Ireland continues to be a troubled land, and in John Gibney’s book, he examines the afterlife of one of the most important events in Irish history, and the breeding ground of subsequent conflict.