Within the first month of 2019, historians were treated to not one but two blockbuster movies: The Favourite (dir. Yorgos Lanthimos) and Mary Queen of Scots (dir. Josie Rourke). Both grossed millions of dollars in the short time since their worldwide release, reminding us that film is by far the most accessible form of historical representation for expert and non-expert audiences alike. In their immediate afterlives, their success and significance are open for debate. As Natalie Zemon Davis has reflected of her own role in bringing sixteenth-century France to the big screen, ‘it’s up to historians, those who have participated in the film and those who have seen it, to bring to the debate both an understanding of the possibilities of film and a knowledge of the past’. In this spirit, last month The Cambridge Public and Popular History seminar invited the historical consultants of these new films, Professor John Guy (Fellow in History at Clare College, whose 2004 book My Heart is My Own was adapted for Mary Queen of Scots) and Dr Hannah Greig (Senior Lecturer in Early Modern History at the University of York, and consultant for The Duchess, Poldark, and The Favourite, amongst others) to discuss their experiences.
Posts tagged ‘18th century history’
Around two o’clock in the morning of February 15th 1732, Robert Atkinson, a sadler, returned home drunk from the alehouse. His mother Ann Atkinson, having sent the maid to bed at midnight, had sat up to wait for him so that she could lock the door behind him (the symbolic ending of the household day) and while she waited drank about a pint of gin. The drunken pair soon argued and maybe about twenty minutes later, Ann slipped under suspicious circumstances at the top of the stairs of the home she and Robert shared with their maid Mary Parrot, Robert’s apprentice John Barber, and their three lodgers: Captain Dunbar, Arthur Gold, and Gold’s younger brother. When she hit the tiles at the bottom ‘her Skull was broke … of which she instantly dy’d.’ As the trial at the Old Bailey that followed this case shows, for most people in eighteenth century cities, the idea of private personal space was little better than an illusion. Read more
Two years ago ‘Operation Trojan Horse’ caused widespread alarm in the media and panic on the part of the British government. Yet the concern about religious and political influences in schools is hardly new. At the beginning of the eighteenth century, writers concerned about the enemy within targeted Protestant Dissenters. Their suggestions about who should control the education of the nation’s children, perhaps worryingly, have surprising resonance today. Read more
For the first ten minutes of Helen Edmundson’s Queen Anne at the RSC’s Swan Theatre, I have to confess I was sceptical. The complex political intrigue of the reign of this little-known monarch (1702-1714) is fascinating, but impossible, I thought, to convey on stage in a mere two hours and thirty-five minutes. I was wrong. In a play hooked around the relationship between Queen Anne and her favourite, Sarah Churchill, Duchess of Marlborough, the audience were immersed in the world of eighteenth-century high politics.
By Carys Brown
Carys is a studying for an MPhil in Early Modern History. Her current research is on trust, Catholicism, and confessional co-existence, c. 1688-1750.
Looking into the minds of people who have been dead for 300 years may seem like something of an impossible task. Since the 1970s, however, historians have increasingly attempted just that. A focus on ‘mentalities’ and ideology has demanded creative uses of source material in an attempt to tap into past minds. Read more