By Tamara Fernando (@TamaraFernando3)
One rainy winter day in 2016, I was navigating the cavernous halls and corridors of the British Museum, looking for the Department of Prints and Drawings. I had arrived to examine two seventeenth-century engraved frontispieces depicting Saint Augustine, the early Church Father, for an MPhil project on the reception of Augustine’s works. When I finally located the correct floor, I was hailed down by a museum guard at the entrance: ‘Madam, this is not the tourist section’ they volunteered. I mumbled an explanation about an appointment with the Curator of Prints—which presumably got muffled, because the staff repeated (this time louder and slower): ‘Maadamm, NO touurissts here’, making a wide crossing-arm gestures to clarify. Something about my age, gender or the colour of my skin and hair, signalled tourist, not researcher.
By Mobeen Hussain (@amhuss27) and Aoife O’Leary McNeice (@aolmcn)
We were both lucky enough to attend two events with the revered black communist scholar and activist Professor Angela Davis in March and April. The first was held at the Southbank Centre in London for International Women’s Day as part of the Women of the World festival with the centre’s former Artistic Director Jude Kelly CBE and the second in Cambridge in conversation with Scottish Poet Laureate Jackie Kay organised by Decolonise Sociology. Both conversations reflected on Davis’s life and work, her iconic status as a black activist, and the legacies and futures of social activism.
By Carys Brown @HistoryCarys
I learned more about the nature of the discipline of history during my PGCE and year as a Newly Qualified Teacher than I have in all of the rest of my academic study combined. It might be that I’m a poor academic historian, but rather I think it says something about the immense value of the PGCE course I undertook, and the incredible work that many history teachers across the country do every day in striving to keep our discipline alive.
Unfortunately, however, the reflective approach which characterises PGCE training is under threat. Cuts to allocations of places for university-led teacher training in favour of more “on the job”-based training programmes has resulted in even Ofsted-rated “Outstanding” university-led courses having to drastically cut their provision. It might sound sensible to base teacher training at schools – after all, that’s where they’ll have to work. But, for historians at least, the idea is not as good as it sounds. Read more
By Carys Brown, James Baker, Richard Deswarte, Adam Crymble
Originally posted on the Defining Effective Mentorship in Digital History site.
What factors are preventing academics from learning the digital skills that could enhance their research? A diverse group of twenty scholars consisting of postgraduate students and academic staff, assembled in Cambridge this past month to find out. Together, they critiqued a range of learning opportunities and they have identified the following challenges that must be overcome to encourage further growth in new skills acquisition amongst students and colleagues. The list is not exhaustive, but we hope it provides a useful starting point for those seeking to promote digital history and who are in a position to lower the barriers to access for learners.
By Carys Brown @HistoryCarys
As a lover of history, few things excite or engage me more than dusty manuscripts and stories from the past: the shocking, the inspiring, the scandalous, and even the mundane. Although my obsession may be particularly acute, it’s not unusual – as Laurence Goldman pointed out while opening the Royal Historical Society’s Public History Workshop at the Institute of Historical Research on 29 October, ‘history is booming’. The workshop was the first instance of what the organisers hope will be a yearly event, along with the RHS’s Public History Prize and proved an inspiring day, with many different perspectives on what it means to do ‘public history’. Several key themes emerged:
By Emily Ward @1066unicorn and Carys Brown @HistoryCarys
If there was one thing that the Making Big Data Human conference made clear, it was that ‘Big Data’, and indeed digital methodologies in general, provide some very exciting opportunities to advance historical research. From the ambitious and wide-ranging National Archives’ Traces Through Time project, which looks to create a generic method to look at historical individuals across enormous datasets, through to the more specific but equally exciting Casebooks Project, the conference participants were treated to a feast of ideas about how historical methods are adapting to the changing nature of data in a digital age.
But what exactly is ‘big data’, and what did the Doing History in Public team have in mind when we decided to explore how we could make it ‘human’? The basic definition of ‘big data’ is ‘extremely large data sets that may be analysed computationally’. For historians this might, as Jane Winters demonstrated in her keynote lecture, be a case of using the archived web as an historical source, or of exploring parliamentary proceedings from three different countries over a period of more than 200 years.
By Patrick McGhee | @patricksmcg
Computer and video gaming is now firmly a part of cultural, political and economic discourse. The financial and cultural power of video games is beyond dispute. The video games market will soon be worth $100bn and video games are played together by millions of people connected around the world. Gaming is also a billion-pound industry in the UK.
Video games also have a profound influence on public debates surrounding morality, social interaction, entertainment and humour. They are used to educate and entertain, to inspire creativity and innovation, and in some cases to encourage and support those with special educational needs. Video games even seek to provide commentaries of their own on some of the most complex and important issues faced in modern society, including political discord, race relations and morality. For example, the BioShock games have explored objectivism and theocracy in dystopian narratives that question the nature of free will and causation. Meanwhile, Grand Theft Auto has explored police corruption, caricatured American political parties and satirised religious extremism. The 2004 entry in the series also depicts a version of the 1992 Los Angeles riots set in the fictional U.S. state of San Andreas.
By Fred Smith
The British Library is overflowing with young, frappuccino-supping undergraduates more interested in checking Facebook and watching Netflix than carrying out ‘serious’ research. At least this is the impression one might take from reading an article in The Times newspaper last month. Several prominent academics, including former professor of Renaissance literature at the University of Leeds, David Lindley, have voiced concerns over the overcrowding of an institution they believe should be reserved for individuals with a genuine research interest – individuals who currently struggle to find a seat and face ever-increasing waiting times for books. They believe that the once-exclusive library has become a trendy meeting place for London’s students to socialise over a cup of coffee and take advantage of the free wi-fi.
By Emily Ward, @1066unicorn
Palms sweating, mouth dry, heart pounding in my chest, my thoughts racing. I realise that I’m going to do it. Tentatively I gather my courage, swallow down the fear and start to raise my hand. Hand up, there’s no going back; I’m spotted and heads turn my way. Eyes on me, I open my mouth. Barely formulated sentences tumble out. I wait. Then clearly I have made enough sense that the watching eyes turn forward again. I have just asked my first question at a history conference.* Read more
By Amy Schaffman
Amy is a Modern European History MPhil student in the Faculty of History. She is currently researching WWII Anglo-American relations through the lens of the overseas evacuation of children.
Public history occupies a strange place within the field of history. Its non-academic components are many and varied: museums, memorials, television programs, popular literature, and private genealogies. Public, not academic, history is what most people experience in their daily lives. Read more