By Sam Young (@Samyoung102)
Minnette de Silva was a remarkable individual. Sri Lanka’s first female architect and the first Asian woman to join the Royal Institute of British Architects, she pioneered the development of a ‘Regional Modernism’ style of urban design throughout the 1950s and 1960s. In Plastic Emotions, Shiromi Pinto intimately explores the life of this often forgotten but nonetheless influential figure in architectural history, focusing on de Silva’s struggles in a turbulent post-independence Ceylon and her passionate (if speculative) relationship with famed Swiss-French Modernist Le Corbusier. A heady mix of art and romance, Plastic Emotions has been praised for its gripping portrayal of two fiercely intelligent individuals brought together by a shared belief in the transformative power of architecture, resulting in a story as beautiful as it is desperately sad.
By Atlanta Rae Neudorf
Approaching the past as an historian is comparable to trying to solve a puzzle whose pieces are constantly changing shape. An element which momentarily appears to fit snugly in place comes suddenly into focus as glaringly wrong when new evidence comes to light. Whilst frustrating at times, these moments of clarity during the historical research process can also be wildly exciting and lead to new understandings of the past. Equally thrilling is the experience of applying different approaches to one’s research that results in two apparently incongruous pieces of the historical puzzle joining together perfectly. The process of piecing together the complex puzzle of historical problems involves searching for the hidden tensions and unspoken meanings inherent in all human activity. Read more
By Atlanta R. Neudorf // firstname.lastname@example.org
When one pictures the historian undertaking their archival research, it is common to conjure up an image of the scholar poring over sources of the written word: newspapers, letters, pamphlets, or book manuscripts. Few would imagine this dusty figure staring at a building. Read more
By Atlanta Neudorf | @ARaeNeudorf
In a letter written in 1663, Jean-Baptiste Colbert wrote to King Louis XIV of France that ‘in lieu of dazzling actions in war, nothing indicates better the greatness and spirit of princes than buildings’. This sentiment illustrates the importance of palace architecture to the image and character of the prince in the early modern period. In the growing field of architectural history, the political and cultural functions of such grand spaces have been the focus of increasing interest in the last few decades. Scholarship has focused on the sixteenth- and seventeenth-century trend for palace building and adaptation by European princes aiming to affirm their royal status. Read more