By Alex White (@alex_j_white)
On the 8 February 2020, the British Museum became the site of a mass protest for climate justice. The target was the multinational oil and gas provider BP, a long-term partner of the British Museum and the sponsor of a new flagship exhibition entitled ‘Troy: Myth and Reality’. According to the organisers of the protest, the activist group ‘BP or not BP?’, the company’s sponsorship of historical attractions is a form of ‘culture-washing’ which draws attention from their exploitation of the natural world and their support for authoritarian regimes. At the same time, the exhibition’s showy, uncritical style distracts from more contemporary debates within the museum – such as the status of artefacts acquired through colonial force. This combined critique of donor and recipient is particularly interesting: while the protest is primarily a climate demonstration, it also represents an elaborate and inclusive exercise in public history.