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History from below: fashion, freedom, and the female form
By Carys Brown @HistoryCarys Attempts to shape the female form are nothing new, as current exhibitions at the V&A and York Castle Museum show. Neither is the particular concern with the posterior, demonstrated today by an increased demand for buttock implants. Such permanent “improvements” are beyond the financial reach of most people. The less wealthy (or less…
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What Not to Wear: The Importance of Women’s Fashion in the Eighteenth Century and Today
By Matilda Embling Women and fashion are often explicitly linked. One only has to consider the media coverage of the new Duchess of Sussex to uncover how frequently a woman’s identity is equated to, or even entirely subsumed by, the clothing she wears. In a recent Guardian article , the more conservative muted wardrobe she…
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Gowns for ‘Sweet Girl Graduates’: The Evolution of Academic Dress
By Georgia Oman While academic dress has been around for a long time, it is only more recently that the wearing of it in Britain has been permissible for more than a small but powerful elite. Until the 1830s, there were only two universities in England, Oxford and Cambridge, and academic dress was a part…
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Fashion Gallery as Archive: Researching Dress History in Museums
By Zara Kesterton (@ZaraKesterton) In recent years, it has become fashionable to talk of an ‘archival turn’ in history, in which the site of record-keeping has itself come under scrutiny.[1] At the same time, material history has risen to prominence as an intriguing counterpart or companion to the paper-trail left by written documents.[2] As someone…
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Art in the Time of Coronavirus
By Zara Kesterton (@ZaraKesterton) 15 March 2020: we were beginning to realise just how much of an impact the coronavirus pandemic would have on all our lives. One of my friends messaged a group chat, ‘Now that we aren’t allowed to touch anything ever again does it spell the end of material culture? Is the…
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