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14. Turkeys and Devils: Jesuits in Parisian Streets

By Tiéphaine Thomason, @teaphaine It should come as no surprise that, in a society of highly variable literacy, satire was often oral. Such was the world of the Parisian street in the seventeenth and eighteenth centuries. This satire was often set to popular tunes to be sung, as well as recited, and stuck up on…
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22. A Hand-Coloured Fashion Print

By Marlo Avidon (@MarloAvidon) In the nearly two centuries between the decline of the sixteenth-century costume book and the rise of the late eighteenth and nineteenth-century fashion plate, the late seventeenth century experienced a brief resurgence in printing images of contemporary dress. Created almost exclusively in France and either depicting ambiguous, unnamed mannequins known only…
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Hunted, or Charpentier’s Mythic Appropriations

David Martin (daim3@cam.ac.uk) “I am he who, born in another age, was known during the last century.” So begins a despairing Marc-Antoine Charpentier in his Epitaphium Carpentarii, or musical epitaph. For much of his life, he believed that he was little more than a glorified chorister for the Duchesse de Guise, despite his training in…


