By Kate McGregor (https://katemcgregor.academia.edu/)
As wedding presents go a ship is certainly the pièce de résistance. A gift from the French King François I to his new son-in-law James V, King of Scots, it represented the renewal of the Franco-Scots ‘Auld alliance’.  At its helm was a glistening salamander, a ‘dragon in flames of fire’, and the emblem of the French king.
By Daniel Adamson (@DEAdamson9)
The Pyrrhic Wars; the crossing of the Rubicon; the witch hunts; the sinking of the Titanic. Modern parlance is littered with examples of historical events that have accrued a metaphorical value superior to the weight of their historical realities. In public spheres, there is more interest in deploying historical events for what they symbolise, rather than what they actually were. The Dreyfus Affair is one such case in point. In 1894, the French artillery officer Alfred Dreyfus was convicted of treason, having been accused of passing classified documents to the German military. Protracted division and debate subsequently embroiled French society, as competing parties contested the validity of Dreyfus’ conviction. Eventually, in 1906, Dreyfus was exonerated upon retrial and the identification of the true culprit (Ferdinand Walsin Esterhazy).
By Anna Knutsson @annaknutsson
Anna Knutsson is an MPhil student in Early Modern History at the University of Cambridge. She is currently researching expressions of female involvement in medicine in Renaissance Florence.
Director: Alan Rickman
Cast: Kate Winslet, Stanley Tucci, Alan Rickman, Jennifer Ehle, Matthias Schoenaerts, Helen McCrory.
Lack of commitment is a constant complaint of many people in the modern west. Unfortunately for the period drama lover, this has now also extended into the glorious realm of hooped skirts and curvaceous furniture. Whilst A Little Chaos offers an appealing concept to its audience in the form of history from below, it fails to deliver. Following the gardener Sabine de Barra’s (Kate Winslet) work to create the renowned rock garden at Versailles, the film explores the role of women at work and the difficulties of getting over a personal tragedy, intermingled with a lacklustre love story and Louis XIV’s (Alan Rickman) search for freedom.