By Aoife O’Leary McNeice (@aolmcn)
Female students were admitted to Queen’s College Cork (QCC) – now University College Cork – Ireland in 1886. One might imagine that these women were innovative and progressive, as they challenged the boundaries placed upon their gender by entering the predominantly male space of the University. But despite their pursuit of higher education, their behaviour was also conventional, as these students sought to preserve their traditional femininity. For these first women students, the primarily male space of the university needed to be navigated carefully.
By Cherish Watton (@CherishWatton)
Gossip in politics today brings to mind the political rumour-mill from the fallout of Brexit, political infighting, or frequent leaks from the White House criticising the Trump administration. But gossip, the ability ‘to talk idly, mostly about other people’s affairs’, isn’t unique to twenty-first-century politics. In the Victorian period, it could even serve a more positive political purpose. Gossip facilitated intimacy not only between women but also men. The sharing and receiving of gossip allowed men to identify and participate in different political communities, such as in the gentleman’s club.
By Amy Schaffman
The film Selma opened on 9 January 2015 to a barrage of criticism about its historical accuracy. Though unable to use any of Dr. Martin Luther King Jr.’s words due to copyright issues, the movie attempted to recreate the tense scene in Selma, Alabama on the eve of the passing of the 1965 Voter’s Right Act. Providing fodder for cinema critics were reenactments of several important touchstones of the American Civil Rights Movement: Bloody Sunday, the struggle between the Student Non-Violent Coordinating Commission (SNCC) and Southern Christian Leadership Council (SCLC), as well as Martin Luther King’s relationship with Lyndon Johnson. Read more
by Federica Tammarazio
Università degli Studi di Genova, Italy
For LGBT History month, we are happy to host art historian Federica Tammarazio to celebrate the anniversary of “Notes on camp” by Susan Sontag.
Fifty years ago (fifty-one actually) art critic Susan Sontag published “Notes on camp“, a series of reflections on Camp culture. According to her own definition, “Notes on camp” was not meant to be a manifesto, but rather a tool to define and understand ‘camp’ sensitivity, which she thought “more appropriate for getting down something of this particular fugitive sensibility. It’s embarrassing to be solemn and treatise-like about Camp”
What was camp back then? And what is it now?