By Xinyi Wen (@HPSWarburgian)
Red, umber, carmine, massicot yellow, ultramarine… in a 15×15 inches humble drawer, 63 kinds of pigments constituted a vibrant, colourful world. Each pigment was held in a labelled paper box lining inside the wooden grid, indicating these ingredients’ mobility and their flexibility of spatial arrangement. This drawer, together with other 28 counterparts of seeds, stones, fruits, roots, and animal parts, made up the cabinet of John Francis Vigani (c. 1650–1712), the first Professor of Chemistry at the University of Cambridge.
By Miles Kempton (https://www.oocdtp.ac.uk/people/miles-kempton)
This image shows a chimpanzee painting; not an abstract portrait of a chimpanzee, but a painting by one. The artist was Congo (1954-64), a captive chimpanzee at London Zoo who in the late 1950s caused a scientific and artistic sensation with his uncanny aptitude for painting and drawing. Desmond Morris – zoologist, broadcaster, and author of the international bestseller The Naked Ape (1967) – was behind it all. Between 1956 and 1959, he made Congo the subject of a scientific-cum-artistic experiment into ‘the biology of art’. For Morris, Congo’s pictures were not mere ‘random scratchings’ but displayed the ‘germ… of visual patterning’.
By Sakae Gustafson
Sculpture of Sir Isaac Newton (with prism), Trinity College Ante-Chapel. 1755, Louis-Francois Roubiliac (detail)
On 13 November 2009, NASA announced ‘a new chapter in our understanding of the moon’.[ii] The crash of a satellite and the resulting plume of moon dust testified to the presence of water through spectrometry. Originating in Isaac Newton’s paper on Opticks, spectrometry measures the colour of light reflected or absorbed by materials as evidence of their composition.[iii]