By Matilda Embling
Women and fashion are often explicitly linked. One only has to consider the media coverage of the new Duchess of Sussex to uncover how frequently a woman’s identity is equated to, or even entirely subsumed by, the clothing she wears. In a recent Guardian article , the more conservative muted wardrobe she has opted for after her marriage was equated to the muting down of her opinionated, questioning personality.
This rhetoric is not new and has not been limited to public figures. In the letters of eighteenth-century women for example, descriptions of new female acquaintances are almost always accompanied by long reports of their dress. An East Anglian gentlewoman, Barbara Ward described a relative’s fiancé as ‘genteel and agreeable’ before immediately documenting her dress ‘the best cloths she has apeard in last sonday at church was blue and gold rich silk and black laced hood’.[i]