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Posts tagged ‘Media’

A Little Chaos (2014): A commitment travesty

By Anna Knutsson @annaknutsson

Anna Knutsson is an MPhil student in Early Modern History at the University of Cambridge. She is currently researching expressions of female involvement in medicine in Renaissance Florence.

Director: Alan Rickman

Cast: Kate Winslet, Stanley Tucci, Alan Rickman, Jennifer Ehle, Matthias Schoenaerts, Helen McCrory.

Lack of commitment is a constant complaint of many people in the modern west. Unfortunately for the period drama lover, this has now also extended into the glorious realm of hooped skirts and curvaceous furniture. Whilst A Little Chaos offers an appealing concept to its audience in the form of history from below, it fails to deliver. Following the gardener Sabine de Barra’s (Kate Winslet) work to create the renowned rock garden at Versailles, the film explores the role of women at work and the difficulties of getting over a personal tragedy, intermingled with a lacklustre love story and Louis XIV’s (Alan Rickman) search for freedom.

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Selma through a woman’s eyes

By Amy Schaffman

The film Selma opened on 9 January 2015 to a barrage of criticism about its historical accuracy. Though unable to use any of Dr. Martin Luther King Jr.’s words due to copyright issues, the movie attempted to recreate the tense scene in Selma, Alabama on the eve of the passing of the 1965 Voter’s Right Act.[1]  Providing fodder for cinema critics were reenactments of several important touchstones of the American Civil Rights Movement: Bloody Sunday, the struggle between the Student Non-Violent Coordinating Commission (SNCC) and Southern Christian Leadership Council (SCLC), as well as Martin Luther King’s relationship with Lyndon Johnson. Read more

Wolf Hall and the historians: What can historical drama do?

By Carys Brown @HistoryCarys

Typing #WolfHall into Twitter reveals no end of enthusiasm about the BBC’s current Tudor drama. Even Prince Charles has admitted to ‘enjoying’ it.1 However, not everyone is happy. Historian and television presenter David Starkey has described both the novel and the TV adaptation as a ‘deliberate perversion’ of history, expressing particular discontent at the level of emotion shown by Thomas Cromwell.2 Read more

Some reflections on Charlie Hebdo

By Hira Amin

9/11 is often cited as a watershed moment in contemporary history. The pervasive narrative was that these extremists hated Western freedom and democracy and Islam is an inherently violent and dangerous religion. In the wake of the brutal Charlie Hebdo attacks, one of the most striking features of the coverage was simply the lack of depth, historical analysis and contextualisation.  Read more

The Media in History and History in the Media, 20th-21st March 2014 (Part 2)

by Alex Campsie

Alex Campsie is a PhD student in modern British political and intellectual history at the University of Cambridge.

The first half of the conference (read Part 1 here), stylishly opened by Professor David Reynolds and the able presenters of panel one, raised a number of important questions for further discussion. What are the media processes which enable cultural formation and the diffusion of information? Who can claim to control the means of cultural production? In what ways have instruments of the media been used and abused throughout history? And how our modes of communicating with each other changed across the centuries?

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The Media in History and History in the Media Conference, 20th-21st March 2014 (Part 1)

by Alex Campsie

Alex Campsie is a PhD student in modern British political and intellectual history at the University of Cambridge.

Last month saw Cambridge host an inaugural ‘European Graduate Conference’ on the broad theme of ‘History and the Media’. Like its sister event (entitled ‘History and the Law’), the project was generously funded by the History Faculty with the very worthy aim of bringing together young researchers from across Europe to discuss their work. Our natty palindromic title hoped to attract both discussions of the role the media has played within history, and meditations on how new medias may be impacting our contemporary practice of the discipline.

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