By Max Long (@max_long), interviewed by Cherish Watton (@CherishWatton), Series Editor
Historian Highlight is a new series sharing the research experiences of historians in the History Faculty in Cambridge. We ask students how they came to research their topic, their favourite archival find, as well as the best (and worst) advice they’ve received as academics in training. History is all about how we tell stories – this series looks at the stories we have to tell as graduate students researching in unprecedented times. In the fourth post in the series, Max Long explains his research into the representation of ideas about nature in the mass media during the interwar period.
By Grace Whorrall-Campbell, interviewed by Cherish Watton (@CherishWatton), Series Editor
Historian Highlight is a new series sharing the research experiences of historians in the History Faculty in Cambridge. We ask students how they came to research their topic, their favourite archival find, as well as the best (and worst) advice they’ve received as academics in training. History is all about how we tell stories – this series looks at the stories we have to tell as graduate students researching in unprecedented times. In the second post in the series, Grace Whorrall-Campbell explains her research into the history of emotion and psychology in the mid-twentieth-century workplace.
By Stephanie Brown (@StephEmmaBrown)
This axe can now be found at the National Museum of Iceland in Reykjavik. It was used on 12 January 1830, to execute Agnes Magnúsdóttir, a maid, and Friðrik Sigurðsson, a farmhand, for their role in the murders of ‘womanizer’, Natan Ketilsson, and Pétur Jónsson, an unfortunate bystanding victim. The crime took place in 1828 at Natan’s farm, Illugastaðir, where they lived and worked. This was the last execution to be carried out on Icelandic soil. Although, Iceland did not abolish capital punishment until 1928.
By Miles Kempton (https://www.oocdtp.ac.uk/people/miles-kempton)
This image shows a chimpanzee painting; not an abstract portrait of a chimpanzee, but a painting by one. The artist was Congo (1954-64), a captive chimpanzee at London Zoo who in the late 1950s caused a scientific and artistic sensation with his uncanny aptitude for painting and drawing. Desmond Morris – zoologist, broadcaster, and author of the international bestseller The Naked Ape (1967) – was behind it all. Between 1956 and 1959, he made Congo the subject of a scientific-cum-artistic experiment into ‘the biology of art’. For Morris, Congo’s pictures were not mere ‘random scratchings’ but displayed the ‘germ… of visual patterning’.
By Nicole Sithole
This hand-propelled trolley system ran on interconnected rail tracks that skirt the iconic Victoria Falls Hotel in Zimbabwe. Since their debut in 1920, a substantial number of black African men pushed and pulled approximately two million white guests to various scenic points around the Victoria Falls. Plaques displayed under the preserved trolleys, which can be found today in the courtyard of the Victoria Falls Hotel and the National Railways of Zimbabwe Museum in Bulawayo, point out that these trolleys stopped running after “37 years of romantic, yet reliable service”.
By Liya Wizevich (@liyawizevich)
In Soviet Union there was vast human and geographical diversity, leading the government to look for ways to not benefit from it by showcasing the social, economic and geographical differences. This national diversity was grandiosely displayed nowhere better than in Moscow’s Exhibition of Achievements of National Economy, (VDNKh). Read more
By Aoife O’Leary McNeice (@aolmcn)
In the mid 1840s and early 1850s, Ireland was ravaged by a Famine which, through a combination of death and emigration, saw the population fall by a third. The horrors of the Famine were reported globally, and the crisis, unfolding in almost real time in the newspapers of readers worldwide prompted an outpouring of global sympathy.
Ireland received approximately two million pounds of overseas donations, which came from businessmen in New York, naval vessels in the Indian Ocean, and prisoners serving time on the remote penal settlement of Norfolk Island in the Pacific Ocean. Some of these donations have lingered longer in Irish popular historical memory than others, and the strength of these memories are such that they continue to shape Ireland’s relationship with overseas communities. Read more
By Georgia Oman (@Georgia_Oman)
When Parliament was suspended this September, several bills making their way through the Commons and Lords were dropped. Although three pieces of legislation were carried over to the next session, the remainder fell into a legal limbo, with their only hope of resurrection being that the government would choose to re-introduce them upon the return of Parliament. One such bill lost in the Brexit shuffle is a reform of the divorce laws of England and Wales, which at the moment demand that couples provide evidence of ‘unreasonable behaviour’ or years of separation before a divorce can be granted, even if both parties have amicably agreed to end their marriage. Put simply, the proposed legislation aims to establish ‘no-fault divorce’, in which neither partner need be apportioned blame for the failure of the marriage. Under the Matrimonial Causes Act of 1973 currently in force, those seeking a divorce must prove their partner was at fault through adultery, desertion, or unreasonable behaviour. If there is no evidence of fault, consenting couples still must live apart for two years before they can file for divorce, while cases in which both sides cannot reach agreement must endure five years of separation.
By Max Long
My first encounter with moving image archives took place in a windowless room in the basement of a building in London. I was there to view a selection of natural history films. I had watched similar films online, but here I could load, spool, and wind up the films myself. Films are the principal source in my research, but prior to my PhD, I had little experience with the medium. Here I was left alone with two towering piles of 35mm and 16mm films, and an unexpected lesson in the materiality of film technology.
Cambridge PhD students Bethan Johnson and George Severs (@GeorgeSevers10) talk to Doing History in Public about their recent Festival of Ideas panel Forms of Extreme Protest in the Post-War West.
Can you tell us a bit about your research?
George: My PhD researches the history of HIV/AIDS activism in England from 1982, the year of the first AIDS-related death in the UK, to 1997, the year after the introduction of highly active antiretroviral therapy which transformed a diagnosis with the virus from a terminal to a chronic one. 1997 also saw the end of 18 years of Conservative government with the election of Tony Blair’s Labour government.
Bethan: My research analyses a particular form of nationalism in North America and Europe between 1965 and 1975. I call this type of nationalism ‘militant separatism’ as it is characterised by a commitment to separation from the governing state through extremely violent methods. I study the role of ‘organic intellectuals’ – influential but not formally trained thinkers – in the activism of ten separatist groups, across five countries.
By Jeremy Wikeley
Over the summer I read Rudyard Kipling’s novel Kim for the first time. I enjoyed it a lot more than I was expecting to. Kim tells the story of an Irish orphan who, growing up in India, has a series of adventures, first as the protégé of an elderly Buddhist monk and later as an agent in ‘the Great Game’. Kim enjoys the excitement of espionage but he misses the freedom of life on the road. Kim is a ‘boys own’ tale, but the verve and colour of Kipling’s descriptions of India and its diversity of peoples and cultures give the novel a wider appeal, as does the theme: everyone’s torn between what’s expected of us and what we really want to do.