December 20, 2020December 18, 2020Doing History in Public1 Comment on 20. An Icelandic Executioner’s Axe 20. An Icelandic Executioner’s Axe
June 30, 2020June 30, 2020Doing History in Public1 Comment on Moscow’s Exhibition of Achievements of National Economy: A Soviet-era Exposition and the Russian State Moscow’s Exhibition of Achievements of National Economy: A Soviet-era Exposition and the Russian State
April 28, 2020April 28, 2020Doing History in Public3 Comments on Art in the Time of Coronavirus Art in the Time of Coronavirus
December 17, 2019December 17, 2019Doing History in Public1 Comment on Fashion Gallery as Archive: Researching Dress History in Museums Fashion Gallery as Archive: Researching Dress History in Museums
October 1, 2019June 15, 2021Doing History in Public2 Comments on Review: The Museum of the American Revolution Review: The Museum of the American Revolution
July 16, 2019December 4, 2019Doing History in Public4 Comments on Revisiting the Visitor’s Book Revisiting the Visitor’s Book
April 16, 2019May 1, 2019Doing History in Public2 Comments on ‘Living’ the museum experience: The development of open-air museums in Britain ‘Living’ the museum experience: The development of open-air museums in Britain
January 22, 2019January 20, 2019Doing History in Public1 Comment on Uncomfortable History: Modern Skull Collecting Uncomfortable History: Modern Skull Collecting
December 4, 2018November 28, 2018Doing History in Public1 Comment on Critiquing cultural spaces: an interview with Alice Procter of the Uncomfortable Art Tours Critiquing cultural spaces: an interview with Alice Procter of the Uncomfortable Art Tours
September 18, 2018January 13, 2019Doing History in Public2 Comments on Translation and Digital Democracy in the Feminist Archive South Translation and Digital Democracy in the Feminist Archive South
April 24, 2018December 4, 2019Doing History in PublicLeave a Comment on Reorienting the Home Front: Spatial History and Collective Memory Reorienting the Home Front: Spatial History and Collective Memory
November 7, 2017November 14, 2017caryslmbrown1 Comment on Distinguishing Fact from Fiction in British Prison Museums Distinguishing Fact from Fiction in British Prison Museums
October 24, 2017October 24, 2017Doing History in PublicLeave a Comment on A Captive Audience?: Prisons as Public History A Captive Audience?: Prisons as Public History
October 3, 2017September 29, 2017Doing History in Public1 Comment on Representing Queer History Representing Queer History
August 1, 2017August 2, 2017Doing History in PublicLeave a Comment on Solving the Historical Puzzle of Vienna’s Kunsthistorisches Museum Solving the Historical Puzzle of Vienna’s Kunsthistorisches Museum
May 2, 2017May 1, 2017Doing History in Public1 Comment on ‘All Men are Created Equal’? Race and the Declaration of Independence in American Museums ‘All Men are Created Equal’? Race and the Declaration of Independence in American Museums
November 8, 2016November 8, 2016Doing History in Public1 Comment on Finding Yourself in the Groves: Reimagining Representation at California Citrus State Historic Park Finding Yourself in the Groves: Reimagining Representation at California Citrus State Historic Park
October 25, 2016October 25, 2016Doing History in PublicLeave a Comment on ‘Where are the Dinosaurs?’: Reflections on Public History at the Museum of Jurassic Technology ‘Where are the Dinosaurs?’: Reflections on Public History at the Museum of Jurassic Technology
May 5, 2016May 5, 2016caryslmbrownLeave a Comment on History from below: fashion, freedom, and the female form History from below: fashion, freedom, and the female form
February 23, 2016February 23, 2016Alexander Wakelam1 Comment on 3D scans – bringing History to a wider audience. 3D scans – bringing History to a wider audience.
