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Historical Voices
By Kayt Button, @kayt_button Today we collect a vast array of readily available information in the form of statistics, stories, reports, and videos available publicly on the internet or through more official channels. These are created by journalists, public servants, and the public at large who are able to self-publish. Before the advent of what has…
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‘Come From Away’: Can historical methodology and theatre co-exist?
By Charlotte Coyne (@charlottecoyne_) Recently, there has been a rise in the number of musical theatre productions which choose to depict historical events. Many even delve into discussing historiography and the process of creating history as a major theme of the show. Most lauded among these is, of course, Hamilton: An American Musical, to which…
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The Challenges of Writing ‘Vernacular’ Histories
By Rebecca Goldsmith (@rebeccagold123) The desire to recover ‘lost voices’ in the archives is by no means a new impulse. It has underpinned entire fields and ‘turns’ in the historical discipline. Nevertheless, there is something new in the recent attempts made by scholars in modern British history to recover the ‘vernacular’. Historians spanning Jon Lawrence,…
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Reimagining Oral History and its Role in Society
By Lewis Younie (@Lewis_Younie) On 6th January, a mob invaded the United States Capitol building, the seat of their federal democracy. In response, historians informed the public about the deep roots which white supremacy had in motivating that insurrection. Over a thousand signed a letter, for example, calling for President Trump to resign due to…
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3. A French Christmas Carol
By Tiéphaine Thomason If you were to stroll through the chilly streets of late seventeenth-century Paris, you would be sure to hear singing. This singing would be set to tunes ranging from the solemn, almost melancholic ‘Or nous dites Marie’ (But tell us Mary) to the decidedly jolly ‘Laissez paître vos bêtes’ (Leave your beasts…
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