Last week, the world’s media was fixed on the arrival of another royal baby. At less than a week old, pictures of Archie Harrison Mountbatten-Windsor, the first child of Harry and Meghan, the Duke and Duchess of Sussex, and the Queen’s eighth great-grandchild, have been shared around the globe. Although the birth took place in the relative privacy of the Windsor estate – avoiding a repeat of the now-familiar press camp outside St Mary’s Lindo Wing – the royal couple were still expected to present their new baby to the world within days. Royal Instagram followers were even treated to a photo of Archie’s feet on Sunday to mark Mother’s Day in the US. This level of exposure might seem unique to the internet and social media age, but royal childhood was followed just as eagerly at the turn of the twentieth century.
Posts tagged ‘Public History’
Within the first month of 2019, historians were treated to not one but two blockbuster movies: The Favourite (dir. Yorgos Lanthimos) and Mary Queen of Scots (dir. Josie Rourke). Both grossed millions of dollars in the short time since their worldwide release, reminding us that film is by far the most accessible form of historical representation for expert and non-expert audiences alike. In their immediate afterlives, their success and significance are open for debate. As Natalie Zemon Davis has reflected of her own role in bringing sixteenth-century France to the big screen, ‘it’s up to historians, those who have participated in the film and those who have seen it, to bring to the debate both an understanding of the possibilities of film and a knowledge of the past’. In this spirit, last month The Cambridge Public and Popular History seminar invited the historical consultants of these new films, Professor John Guy (Fellow in History at Clare College, whose 2004 book My Heart is My Own was adapted for Mary Queen of Scots) and Dr Hannah Greig (Senior Lecturer in Early Modern History at the University of York, and consultant for The Duchess, Poldark, and The Favourite, amongst others) to discuss their experiences.
Can you tell us a bit about your research?
George: My PhD researches the history of HIV/AIDS activism in England from 1982, the year of the first AIDS-related death in the UK, to 1997, the year after the introduction of highly active antiretroviral therapy which transformed a diagnosis with the virus from a terminal to a chronic one. 1997 also saw the end of 18 years of Conservative government with the election of Tony Blair’s Labour government.
Bethan: My research analyses a particular form of nationalism in North America and Europe between 1965 and 1975. I call this type of nationalism ‘militant separatism’ as it is characterised by a commitment to separation from the governing state through extremely violent methods. I study the role of ‘organic intellectuals’ – influential but not formally trained thinkers – in the activism of ten separatist groups, across five countries.
Tom Smith and Helen Sunderland (Doing History in Public) talk to Judd Birdsall, Managing Director of the Cambridge Institute on Religion & International Studies based at Clare College, Cambridge
Doing History in Public: Hi Judd. Could you tell us a bit more about CIRIS and its work?
Judd Birdsall (CIRIS): The Cambridge Institute on Religion & International Studies (CIRIS) is a multi-disciplinary research centre at Clare College, Cambridge. We aim to provide students, practitioners, and the general public with credible and engaging insights that will shape new scholarship, sound policy, and constructive debate on the role of faith in international affairs. Read more
By Clemency Anderson
Does the past sometimes feel ‘far away’? Can we ever ‘go back’? And ‘where’ did we come from? These questions demonstrate that we often conceptualise and speak about history in spatial terms. That is, we describe the past as a place. History has famously been called a ‘foreign country’. Perhaps the more ancient the history, the more time we need to spend in transit – interpreting, translating, contextualising – to get there.
In the last few years, there has been a resurgence of period adaptations based on the British in India. This spat of television and film productions depicts particular historical narratives that romanticise the British Empire and hark back to the good-old-days of British imperialism. Indian Summers (2015), Victoria and Abdul (2017) and Viceroy’s House (2017) reveal a lot about the kinds of narratives that producers and the British public are interested in telling, championing and watching. With the exception of Indian Summers, these productions were post-Brexit and released in the year of the seventieth anniversary of India’s partition. Read more
The recent success of The Vietnam War, a television documentary co-directed by Ken Burns and Lynn Novick, shows the enduring legacy of the conflict in popular memory. Broadcast as a ten-hour series in the UK on BBC Four and originally aired with an even longer running time on PBS, the series is ambitious in its detail and scope. That such an in-depth history can still prove gripping, accessible and popular shows how the Vietnam War continues to loom large in the psyche. Read more
By Dan Johnson, University of York (@Dan_Johnson19)
Prison museums are becoming a popular form of dark tourism around the world. In the last few decades, infamous prisons that have been in use since the beginning of incarceration as a form of punishment in the nineteenth century have begun to close their doors to make room for more modern prisons. In the UK, many former prison buildings have been saved and repurposed, rather than torn down. Some former prison buildings have even been transformed into boutique hotels and student accommodation. Although there has been a recent rise in the closures of Victorian prison buildings, there was a first wave of closures of some of the first British penitentiaries following the nationalisation of the prison system in 1878. In the nineteenth century, many prisons were destroyed, however, some became tourist attractions. One of these prison buildings-turned-tourist sites is the Victorian Prison at Lincoln Castle. Read more
By Megan Suster
The unofficial mantra of Riverside, California by the beginning of the twentieth century was ‘Citrus is king!’ Starting with Valencia oranges in the California missions in the southern half of the state, and further catalyzed by the Bahia Navel orange that came to town in 1873, the citrus industry became central to how Riverside, and surrounding cities like nearby Redlands and faraway Pasadena, identified themselves. As a result, there is an unwavering nostalgia in Southern California for its citrus heritage, and California Citrus State Historic Park aims to preserve some of this in the form of nearly 300 acres of groves, as well as a small museum. Read more
What connects the obscure lives of neurophysiologist Geoffrey Sonnabend and opera singer Madelena Delani? Are these people even real? Is there really an elaborate miniature engraving of the Crucifixion on that seemingly ordinary fruit stone? Are we supposed to take these heroic portraits of the dogs of the Soviet space programme seriously? Are bees really seen to be so integral to the life cycle within certain cultures that they must be told if a member of the family has married or died, and are invited (in writing) to funerals? And what on earth does that have to do with Alexander Fleming? Read more
I learned more about the nature of the discipline of history during my PGCE and year as a Newly Qualified Teacher than I have in all of the rest of my academic study combined. It might be that I’m a poor academic historian, but rather I think it says something about the immense value of the PGCE course I undertook, and the incredible work that many history teachers across the country do every day in striving to keep our discipline alive.
Unfortunately, however, the reflective approach which characterises PGCE training is under threat. Cuts to allocations of places for university-led teacher training in favour of more “on the job”-based training programmes has resulted in even Ofsted-rated “Outstanding” university-led courses having to drastically cut their provision. It might sound sensible to base teacher training at schools – after all, that’s where they’ll have to work. But, for historians at least, the idea is not as good as it sounds. Read more
by James Lloyd – @jtlloyd3
James is a PhD student at the University of Reading/Exeter in Classics. His thesis is entitled: ”Music and Ritual in Ancient Sparta: the lead votive figurines of the Sanctuary of Artemis Orthia”
In recent years, there has been a flurry of new technologies emerging at a price which makes them (just about) affordable, notably 3D scanners and printers, and such technologies have attracted attention in the news of late for their employment in the digital recreation of artefacts and archaeological sites destroyed by IS. Indeed, 3D printing is a wonderful tool for bringing the past to life: Museum3D, for example, uses its 3D prints to engage museum visitors with low-vision and Alzheimer’s. However, as this post will show, 3D scans are just as important to public history. Read more
For the first ten minutes of Helen Edmundson’s Queen Anne at the RSC’s Swan Theatre, I have to confess I was sceptical. The complex political intrigue of the reign of this little-known monarch (1702-1714) is fascinating, but impossible, I thought, to convey on stage in a mere two hours and thirty-five minutes. I was wrong. In a play hooked around the relationship between Queen Anne and her favourite, Sarah Churchill, Duchess of Marlborough, the audience were immersed in the world of eighteenth-century high politics.
The natural course of a life leaves an unintentional trail of breadcrumbs. Generally we never think twice of what we leave in the historical record whether it be major life moments (birth, marriage, change of address) or the little things like the discarded bus ticket or receipt for coffee that gets miraculously preserved. These fingerprints on the tapestry of history are the bread and butter of historians and while they aren’t meant for the view of others we don’t really mind their publicity. But we also leave behind more private records; diaries, love letters, disastrous teenage poetry – things that we’d rather no one else see either due to their embarrassing nature or simply because they are entirely private, they should belong only to us.
January is passing with alarming speed, and as Cambridge hauls itself into the mania of full term there are flurries of emails about talks, seminars, and events. To save you the trouble of choosing, and to ensure that you don’t miss anything essential, here are a few top recommendations for this term. Those not at Cambridge are very welcome!