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Posts tagged ‘Public History’

Sep 17

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Public History in the Digital Sphere: /r/AskHistorians

By Joe Rachman

What sparked the craze for martial arts, particularly kung fu, in 1970s America? Why did some Serbs commit acts of genocide in the late twentieth century despite Serbs themselves having been victims of genocide during World War Two? What started the Opium Wars? Did Zarathustra, the supposed founder of Zoroastrianism, actually exist? Why are contemporary African states so poor when compared to the legendary wealth of some pre-colonial African empires? All these questions, and more, posed by curious members of the public have recently been answered for free by historians willing to dedicate a little bit of their time to help sate public curiosity about history. Welcome to /r/AskHistorians.

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Aug 13

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How to abuse and misuse history: a guide from twentieth-century politics

By Spike Lister

The utilisation of history in political discourse has itself a long history. For as long as there has been a public space and a shared experience, communities have looked to the past as a lens through which to understand their issues. History offers us a guiding light by which to move forwards or a source from which to draw blood-curdling parallels to our present circumstances. Consequently, it should not surprise us in such complex and disruptive times that historical parallels abound as a means of garnering political support. In periods of political intricacy and seemingly tectonic historic change, it is inevitable that politicians draw from the past to assert the continuity of their policies within a nation’s historical experience, or to draw ominous parallels between history and the present day.

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Jul 30

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Unconventional History: El Paso, Texas according to an early-twentieth-century postcard

By Savannah Pine (@savannah_pine)

El Paso, Texas (my hometown) features in the news frequently nowadays because of the migrant crisis and the administration’s desire to build a wall on the border between the United States and Mexico. The border, which lies along the Rio Grande, separates a large urban area into two cities: El Paso in the US and Juárez, in Mexico. But people have long travelled across the border, as this early-twentieth-century postcard demonstrates: a streetcar rides the El Paso & Juárez Streetcar Line from downtown Juárez, over the international bridge, and down El Paso Street to downtown El Paso. My professor sent me this postcard last year as a graduation gift and I decided to find the modern version. However, it was more difficult than I thought without institutional access to research resources. This is the story of how I did unconventional historical research.

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May 14

Royal babies: a late-nineteenth-century perspective

By Helen Sunderland (@hl_sunderland)

Last week, the world’s media was fixed on the arrival of another royal baby. At less than a week old, pictures of Archie Harrison Mountbatten-Windsor, the first child of Harry and Meghan, the Duke and Duchess of Sussex, and the Queen’s eighth great-grandchild, have been shared around the globe. Although the birth took place in the relative privacy of the Windsor estate – avoiding a repeat of the now-familiar press camp outside St Mary’s Lindo Wing – the royal couple were still expected to present their new baby to the world within days. Royal Instagram followers were even treated to a photo of Archie’s feet on Sunday to mark Mother’s Day in the US. This level of exposure might seem unique to the internet and social media age, but royal childhood was followed just as eagerly at the turn of the twentieth century.

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Mar 19

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History on Film: genre, fact, and resonance in Mary Queen of Scots and The Favourite

By Laura Flannigan  (@LFlannigan17)

Within the first month of 2019, historians were treated to not one but two blockbuster movies: The Favourite (dir. Yorgos Lanthimos) and Mary Queen of Scots (dir. Josie Rourke). Both grossed millions of dollars in the short time since their worldwide release, reminding us that film is by far the most accessible form of historical representation for expert and non-expert audiences alike. In their immediate afterlives, their success and significance are open for debate. As Natalie Zemon Davis has reflected of her own role in bringing sixteenth-century France to the big screen, ‘it’s up to historians, those who have participated in the film and those who have seen it, to bring to the debate both an understanding of the possibilities of film and a knowledge of the past’.[1] In this spirit, last month The Cambridge Public and Popular History seminar invited the historical consultants of these new films, Professor John Guy (Fellow in History at Clare College, whose 2004 book My Heart is My Own was adapted for Mary Queen of Scots) and Dr Hannah Greig (Senior Lecturer in Early Modern History at the University of York, and consultant for The Duchess, Poldark, and The Favourite, amongst others) to discuss their experiences.

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Oct 30

Public History at the Cambridge Festival of Ideas

Cambridge PhD students Bethan Johnson and George Severs (@GeorgeSevers10) talk to Doing History in Public about their recent Festival of Ideas panel Forms of Extreme Protest in the Post-War West.

Can you tell us a bit about your research?

George: My PhD researches the history of HIV/AIDS activism in England from 1982, the year of the first AIDS-related death in the UK, to 1997, the year after the introduction of highly active antiretroviral therapy which transformed a diagnosis with the virus from a terminal to a chronic one. 1997 also saw the end of 18 years of Conservative government with the election of Tony Blair’s Labour government.

Bethan: My research analyses a particular form of nationalism in North America and Europe between 1965 and 1975. I call this type of nationalism ‘militant separatism’ as it is characterised by a commitment to separation from the governing state through extremely violent methods. I study the role of ‘organic intellectuals’ – influential but not formally trained thinkers – in the activism of ten separatist groups, across five countries.

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Apr 24

Reorienting the Home Front: Spatial History and Collective Memory

By Clemency Hinton (@clemencyhinton)

Does the past sometimes feel ‘far away’? Can we ever ‘go back’? And ‘where’ did we come from?  These questions demonstrate that we often conceptualise and speak about history in spatial terms. That is, we describe the past as a place. History has famously been called a ‘foreign country’. Perhaps the more ancient the history, the more time we need to spend in transit – interpreting, translating, contextualising – to get there.

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Dec 5

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Capturing the Raj: visual narratives of British India

By Mobeen Hussain | @amhuss27

In the last few years, there has been a resurgence of period adaptations based on the British in India. This spat of television and film productions depicts particular historical narratives that romanticise the British Empire and hark back to the good-old-days of British imperialism. Indian Summers (2015), Victoria and Abdul (2017) and Viceroy’s House (2017) reveal a lot about the kinds of narratives that producers and the British public are interested in telling, championing and watching. With the exception of Indian Summers, these productions were post-Brexit and released in the year of the seventieth anniversary of India’s partition. Read more

Nov 14

Conflict, Memory and Reconciliation: ‘The Vietnam War’

By Helen Sunderland (@hl_sunderland)

The recent success of The Vietnam War, a television documentary co-directed by Ken Burns and Lynn Novick, shows the enduring legacy of the conflict in popular memory. Broadcast as a ten-hour series in the UK on BBC Four and originally aired with an even longer running time on PBS, the series is ambitious in its detail and scope. That such an in-depth history can still prove gripping, accessible and popular shows how the Vietnam War continues to loom large in the psyche. Read more

Nov 7

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Distinguishing Fact from Fiction in British Prison Museums

By Dan Johnson, University of York (@Dan_Johnson19)

Prison museums are becoming a popular form of dark tourism around the world. In the last few decades, infamous prisons that have been in use since the beginning of incarceration as a form of punishment in the nineteenth century have begun to close their doors to make room for more modern prisons. In the UK, many former prison buildings have been saved and repurposed, rather than torn down. Some former prison buildings have even been transformed into boutique hotels and student accommodation. Although there has been a recent rise in the closures of Victorian prison buildings, there was a first wave of closures of some of the first British penitentiaries following the nationalisation of the prison system in 1878. In the nineteenth century, many prisons were destroyed, however, some became tourist attractions. One of these prison buildings-turned-tourist sites is the Victorian Prison at Lincoln Castle. Read more

Oct 31

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A cracked voice…

Writer Graham Palmer (@GP_writer) explains how he’s using music to explore the past in his exciting collaborative project, Cracked Voices.

Warning: my history is suspect. It is fake news. I am not a historian.

But I am fascinated in the way we are all complicit in fashioning stories, in interpreting our own lives and those of others (however distant). The narrative thread is well and truly woven into our being now that Time Team and Who do you think you are? have taught us that anyone can uncover truth with a trowel, a census or a curious mind. In an online world where the loudest, most outrageous opinion echoes and re-echoes over social media and blogs, everyone has become an expert (including me). History has never been so contemporary, nor so contentious (or so goes another myth that strokes our fragile 21st century egos). Read more

Oct 25

‘Where are the Dinosaurs?’: Reflections on Public History at the Museum of Jurassic Technology

by Tom Smith – @TomEtesonSmith

What connects the obscure lives of neurophysiologist Geoffrey Sonnabend and opera singer Madelena Delani? Are these people even real? Is there really an elaborate miniature engraving of the Crucifixion on that seemingly ordinary fruit stone? Are we supposed to take these heroic portraits of the dogs of the Soviet space programme seriously? Are bees really seen to be so integral to the life cycle within certain cultures that they must be told if a member of the family has married or died, and are invited (in writing) to funerals? And what on earth does that have to do with Alexander Fleming? Read more

Sep 27

In praise of history teachers

By Carys Brown @HistoryCarys

I learned more about the nature of the discipline of history during my PGCE and year as a Newly Qualified Teacher than I have in all of the rest of my academic study combined. It might be that I’m a poor academic historian, but rather I think it says something about the immense value of the PGCE course I undertook, and the incredible work that many history teachers across the country do every day in striving to keep our discipline alive.

Unfortunately, however, the reflective approach which characterises PGCE training is under threat. Cuts to allocations of places for university-led teacher training in favour of more “on the job”-based training programmes has resulted in even Ofsted-rated “Outstanding” university-led courses having to drastically cut their provision. It might sound sensible to base teacher training at schools – after all, that’s where they’ll have to work. But, for historians at least, the idea is not as good as it sounds. Read more

Feb 23

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3D scans – bringing History to a wider audience.

by James Lloyd – @jtlloyd3

James is a PhD student at the University of Reading/Exeter in Classics. His thesis is entitled: ”Music and Ritual in Ancient Sparta: the lead votive figurines of the Sanctuary of Artemis Orthia”

In recent years, there has been a flurry of new technologies emerging at a price which makes them (just about) affordable, notably 3D scanners and printers, and such technologies have attracted attention in the news of late for their employment in the digital recreation of artefacts and archaeological sites destroyed by IS. Indeed, 3D printing is a wonderful tool for bringing the past to life: Museum3D, for example, uses its 3D prints to engage museum visitors with low-vision and Alzheimer’s. However, as this post will show, 3D scans are just as important to public history. Read more

Feb 11

Heritage in Austerity Britain

By James Dowsett – @jdowsea

James in an MPhil Student in Modern British History at Cambridge. His research focusses on plebeian constitutionalism in the long eighteenth-century.

March will be the final month the Queen Street and Helmshore Mill Museums are open to the public. These beleaguered monuments, the last working examples of the Lancashire cotton spinning and weaving industry upon which Britain’s industrial revolution was built, are faced with an uncertain future. That these sites of unquestionable national significance are to be forced to close their doors is nothing other than a national shame. Local residents have established a change.org petition pleading Lancashire County Council to save both mills from imminent closure. 1st April is the date designated for their termination. However, the Queen Street and Helmshore Mill Museums are only the latest soon-to-be fatalities of an austerity agenda that places the funding position of local authority museums at an astonishingly high risk. Cuts to local government grants outlined in the 2015 spending review will undeniably result in more museum closures. The Museum Association’s 2015 cuts survey recently revealed that in response to government cuts to local authority funding, 18% of museums were forced to close, or partially close, in 2015-16.

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Feb 9

The Black Cantabs Project – Uncovering Cambridge University’s diverse past

By Louise Moschetta @LouiseMoschetta

As I began jotting down some ideas for this blog post in a background of clinks and clatter of a coffee shop in Cambridge, I overheard a conversation from two individuals talking at the table behind me. They were referring to what I believed to be a white, wealthy, male individual, with the statement that sums up the entire image, ‘he’s very Cambridge’.

The launch of the Black Cantabs Project last October under the auspice of Black History Month complicates what it exactly means to be Cambridge. The aim of the Black Cantabs Projects is to uncover, or recover, the university’s ‘lost students’. At its core, the project is archival – it is an organised opportunity for ‘current and former students of the University of Cambridge to write the black students of this institution back into its history’ and publish these findings online.

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