By Evelyn Strope (@develyn_16)
Location: 3rd & Chestnut Streets, Philadelphia, PA, USA, Independence National Historical Park
Ticket Prices: $18 Student, $21 Adult
Opening Hours: Mon–Sun, 10am–5pm
While undertaking archival research in Philadelphia this summer, I finally had the chance to visit the Museum of the American Revolution (MAR), situated at the heart of the United States’ Independence National Historical Park. The Museum is still relatively new; it opened in 2017 on the anniversary of the Battle of Lexington & Concord – 19 April 1775. Both its modern architecture and its attention to visual experience and to cutting-edge digital history reflect its age. More importantly, those technologies, woven into eye-catching text panels and amongst many extant artefacts, help the MAR to tell a cohesive story within its main exhibit, divided chronologically into four sections: Becoming Revolutionaries (1760–1775), The Darkest Hour (1776–1778), A Revolutionary War (1778–1783), and A New Nation (1783–Present).
By Mobeen Hussain (@amhuss27) and Aoife O’Leary McNeice (@aolmcn)
We were both lucky enough to attend two events with the revered black communist scholar and activist Professor Angela Davis in March and April. The first was held at the Southbank Centre in London for International Women’s Day as part of the Women of the World festival with the centre’s former Artistic Director Jude Kelly CBE and the second in Cambridge in conversation with Scottish Poet Laureate Jackie Kay organised by Decolonise Sociology. Both conversations reflected on Davis’s life and work, her iconic status as a black activist, and the legacies and futures of social activism.
Harriet Lyon (@HarrietLyon) reviews Friedrich Schiller’s play Mary Stuart, adapted and directed by Robert Icke.
What is history if not a series of contingencies? For every thing that happens, an infinite number of other possibilities are extinguished. But what if things had been different? Although writing history certainly involves a good dose of imagination, academic historians have generally tended to be nervous of counterfactuals and their capacity to re-imagine the past. Historical fiction, by contrast, has built a thriving industry on the question of ‘what if?’ What if Germany had won the Second World War? What if John F. Kennedy’s assassin had failed? What if there had been no Protestant Reformation?
By Helen Sunderland (@hl_sunderland)
When I first saw the University Library as a new Cambridge student last October it looked like something from a dystopian novel. The library tower loomed above me – a modernist monument to humanity’s pursuit of knowledge. With the addition of a few slogans on the walls, I thought, it would fit right into Orwell’s 1984. What this says about my sense of trepidation embarking on a PhD aside, the library tower has long been a focus of mystery and myth since it was completed in 1934. Now, the new exhibition Tall Tales: Secrets of the Tower, which opened at the University Library earlier this month, uncovers some of its secrets for the first time.
By Carys Brown @HistoryCarys
For the first ten minutes of Helen Edmundson’s Queen Anne at the RSC’s Swan Theatre, I have to confess I was sceptical. The complex political intrigue of the reign of this little-known monarch (1702-1714) is fascinating, but impossible, I thought, to convey on stage in a mere two hours and thirty-five minutes. I was wrong. In a play hooked around the relationship between Queen Anne and her favourite, Sarah Churchill, Duchess of Marlborough, the audience were immersed in the world of eighteenth-century high politics.