By Ana Núñez (@anac4_nunez)
The Byzantine princess Anna Komnene (1083-1153) appears to have been a most devoted daughter. The first-born of the Byzantine Emperor Alexios I Komnenos (r.1081-1118), Anna took it upon herself to continue the work started by her late husband, Nikephoros Bryennios, and write a history (The Alexiad) of her father’s eventful imperial reign. From the outset her goal is clear: to record the events of her father’s reign so that they are not ‘swept away on the flood of Time into an ocean of obscurity’. Thus, she proceeds to compose a fifteen-book history of her father’s rule and his many great struggles and triumphs within the borders of the Byzantine Empire and beyond.
By Zoe Farrell (@zoeffarrell)
As part of my research fieldwork this year, I was lucky enough to be able to visit the city of Bolzano in Northern Italy. This South-Tyrolean city provides a perfect example of how small, provincial cities often have rich and diverse histories which make them prime points of study for enquiries into historical change throughout Europe.
By Zoe Farrell (@zoeffarrell)
One of the many advantages of being a historian who studies other countries is the ample opportunities for travel. My work focuses on artisans and material culture in sixteenth-century Verona, and I have therefore spent a lot of time in Veronese archives. However, I am also interested in how Renaissance culture travelled, especially through the Alps and into Germany. As part of a major fieldwork trip this year, I decided to follow the route of my research to Germany, visiting archives of interest along the way. In total, I visited thirteen archives in three different countries. During this time, I went from eating lunch outside in the piazzas of Italy, to walking through the snow in -14 degrees Celsius in Germany. No two archives were the same and I learnt a vast amount about research, travel, and independence. Here, I will share some of the most important things I learned. Read more
by Eleanor Russell
This famous sketch of a rhinoceros was created in 1515 by the influential German artist, Albrecht Dürer, reflecting the growing interest in foreign curiosities that had emerged in tangent with the overseas voyages of exploration, commerce and conquest by the Spanish and Portuguese. The rhinoceros had been given as a gift by the ruler of Cambaia to Afonso de Albuquerque, the Portuguese viceroy in India, who in turn gifted it to king Manuel I of Portugal.
While the drawing itself provides a great deal of information about art and Orientalism in the Renaissance, among other things, the backstory of the painting is equally as fascinating. How did Dürer, then living in Nuremberg, ever come to make such a sketch?
In the third of our series on research abroad, Zoe Farrell (@zoeffarrell) scopes out Verona.
One of the most exciting yet intimidating elements of PhD research is the archival visit. This is perhaps particularly daunting for those of us venturing to foreign pastures and putting into practice hard-earned language skills. However, the rewards of navigating the maze of the foreign archive are substantial and the experience can be enriching in more ways than one. Read more