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Posts tagged ‘Tudor history’

17. A Pomegranate

By Stephanie Brown (@StephEmmaBrown)

The pomegranate has had many religious, mythical, and political connotations. It was associated with Katherine of Aragon due to her position as a Spanish princess. Born in 1485, she was a child when her parents, King Ferdinand II and Queen Isabella, conquered Granada, which is the Spanish word for pomegranate. The fruit was officially acknowledged as her personal emblem when she married Henry VIII in 1509. A manuscript presented by Thomas More to honour their coronation featured a Tudor rose and a pomegranate under a crown.[1]

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When is Research Worth it?

By Matthew Tibble

Matthew is an MPhil student in Early Modern History at the University of Cambridge. He is currently researching religious counsel during the mid-Tudor period.

I have been studying history for the better part of four years, yet it was only recently that I managed to fulfil the archetypal ambition of making an original ‘discovery’. Like so much of modern historical research, it began by persistently trawling through online resources, flicking through digital facsimile images of countless early printed works, and noticing a small peculiarity. Laurence Saunders, a clergyman who died on 8th February 1555, had purportedly written a book that described in great detail the trial of two Protestant martyrs, Hugh Latimer and Nicholas Ridley, who had later been burned at the stake by Mary I. The trial is known to have taken place in October, eight months after Laurence Saunders’ death, inherently undermining his contention that, ‘I was there presente at the doing of thys…and heard al for the most part with mine eares’.[1] Read more

Wolf Hall and the historians: What can historical drama do?

By Carys Brown @HistoryCarys

Typing #WolfHall into Twitter reveals no end of enthusiasm about the BBC’s current Tudor drama. Even Prince Charles has admitted to ‘enjoying’ it.1 However, not everyone is happy. Historian and television presenter David Starkey has described both the novel and the TV adaptation as a ‘deliberate perversion’ of history, expressing particular discontent at the level of emotion shown by Thomas Cromwell.2 Read more