Within the first month of 2019, historians were treated to not one but two blockbuster movies: The Favourite (dir. Yorgos Lanthimos) and Mary Queen of Scots (dir. Josie Rourke). Both grossed millions of dollars in the short time since their worldwide release, reminding us that film is by far the most accessible form of historical representation for expert and non-expert audiences alike. In their immediate afterlives, their success and significance are open for debate. As Natalie Zemon Davis has reflected of her own role in bringing sixteenth-century France to the big screen, ‘it’s up to historians, those who have participated in the film and those who have seen it, to bring to the debate both an understanding of the possibilities of film and a knowledge of the past’. In this spirit, last month The Cambridge Public and Popular History seminar invited the historical consultants of these new films, Professor John Guy (Fellow in History at Clare College, whose 2004 book My Heart is My Own was adapted for Mary Queen of Scots) and Dr Hannah Greig (Senior Lecturer in Early Modern History at the University of York, and consultant for The Duchess, Poldark, and The Favourite, amongst others) to discuss their experiences.
Posts tagged ‘Tudor history’
The pomegranate has had many religious, mythical, and political connotations. It was associated with Katherine of Aragon due to her position as a Spanish princess. Born in 1485, she was a child when her parents, King Ferdinand II and Queen Isabella, conquered Granada, which is the Spanish word for pomegranate. The fruit was officially acknowledged as her personal emblem when she married Henry VIII in 1509. A manuscript presented by Thomas More to honour their coronation featured a Tudor rose and a pomegranate under a crown.
Matthew is an MPhil student in Early Modern History at the University of Cambridge. He is currently researching religious counsel during the mid-Tudor period.
I have been studying history for the better part of four years, yet it was only recently that I managed to fulfil the archetypal ambition of making an original ‘discovery’. Like so much of modern historical research, it began by persistently trawling through online resources, flicking through digital facsimile images of countless early printed works, and noticing a small peculiarity. Laurence Saunders, a clergyman who died on 8th February 1555, had purportedly written a book that described in great detail the trial of two Protestant martyrs, Hugh Latimer and Nicholas Ridley, who had later been burned at the stake by Mary I. The trial is known to have taken place in October, eight months after Laurence Saunders’ death, inherently undermining his contention that, ‘I was there presente at the doing of thys…and heard al for the most part with mine eares’. Read more
Typing #WolfHall into Twitter reveals no end of enthusiasm about the BBC’s current Tudor drama. Even Prince Charles has admitted to ‘enjoying’ it.1 However, not everyone is happy. Historian and television presenter David Starkey has described both the novel and the TV adaptation as a ‘deliberate perversion’ of history, expressing particular discontent at the level of emotion shown by Thomas Cromwell.2 Read more