By Jennifer W. Reiss
The history of American medicine often follows a declension/ascension narrative: it’s a teleology of medical progress dominated by professionalised and scientifically-minded male physicians of the nineteenth century bringing the light of modernity to backward-looking, female-dominated folk practice of earlier periods. Even comparable British scholarship on early modern medical history follows a top-down story of professionalising medics ineffectively controlling a diverse ‘medical marketplace’ – a position which appreciates the place of vernacular practice generally, but underplays non-commercial, domestic medicine. Lay, and especially female practitioners were an essential alternative source of medical knowledge, particularly for poor and rural populations with limited access to other forms of health care, as well as a complement to the professional medicine available to urban and elite populations.
By Aoife O’Leary McNeice (@aolmcn)
Female students were admitted to Queen’s College Cork (QCC) – now University College Cork – Ireland in 1886. One might imagine that these women were innovative and progressive, as they challenged the boundaries placed upon their gender by entering the predominantly male space of the University. But despite their pursuit of higher education, their behaviour was also conventional, as these students sought to preserve their traditional femininity. For these first women students, the primarily male space of the university needed to be navigated carefully.
By Georgia Oman
While academic dress has been around for a long time, it is only more recently that the wearing of it in Britain has been permissible for more than a small but powerful elite. Until the 1830s, there were only two universities in England, Oxford and Cambridge, and academic dress was a part of their students’ daily lives. Indeed, until 1965, undergraduates at Cambridge had to wear gowns when going to lectures, supervisions, or into town after dusk. As Paul Deslandes notes, academic dress was about more than just wearing a fancy gown – it was a visible symbol of student identity, as well as university privilege, insider status, and masculinity.
By Elissa O’Connell (@ElissaOConnell)
As readers will surely be aware, 2018 has been a historically significant year for women’s history and archives. The centenary of some women gaining the vote has created many opportunities to celebrate women-led activism across the UK, as well as to reinforce the need to document and protect these herstories through archiving and heritage. 2018 also marks the 40th anniversary of the Feminist Archive South (FAS), established in 1978 to document the herstories of international feminist social movements active between 1960-2000. The need to celebrate these vital campaigns for democracy and women’s rights has raised important questions about imperialism in women’s movements more widely.
By Mobeen Hussain (@amhuss27)
This year’s International Women’s Day, on March 8th, was marked across the world with various marches, proclamations and campaigns highlighting inequalities and celebrating women. In the last two years, we have seen feminist campaigns in various institutions to challenge ongoing inequalities that disproportionately affect women, including sexual abuse, the gender pay gap and governmental policies. The earliest observance of a day for women was held by the Socialist Party of America on 28th February 1909 in New York at the suggestion of Theresa Malkiel. German Marxist Clara Zetkin initially proposed an International Women’s Day in 1910 with no fixed date. It had been predominantly celebrated by the socialist movement and communist countries until it was adopted by the United Nations in 1975. Many historical demonstration actions have occurred on International Women’s Day, including in 1981 a demonstration when French women marched under the banner of the Movement for the Liberation of Women (MLF).
By Helen Sunderland (@hl_sunderland)
6 February will mark one hundred years since the first women in Britain gained the right to vote in national elections. The Representation of the People Act of 1918 enfranchised 40% of women in the UK and was the result of decades of campaigning by various organisations across the country. It was a key step towards women getting the vote on equal terms to men ten years later. To celebrate this milestone in women’s history, Cambridge University Library is displaying some of its collections on women’s suffrage for the first time. Read more
Know something about an eminent woman? Think it should be shared? Newnham College Cambridge are marking International Women’s Day 2017 by improving the gender balance of Wikipedia, and they’re looking for contributors. Read more
By Conor Heffernan
Although sporting historians have long noted the importance of English women in the development of sport in general, few studies have devoted themselves to the study of gymnastic exercise systems such as callisthenics. This has done a great injustice to Marian Mason, England’s first female physical fitness instructor who, beginning in the 1820s, ran one of the most sought after training studios in all of England.
By Anna Knutsson @annaknutsson
Anna Knutsson is an MPhil student in Early Modern History at the University of Cambridge. She is currently researching expressions of female involvement in medicine in Renaissance Florence.
Director: Alan Rickman
Cast: Kate Winslet, Stanley Tucci, Alan Rickman, Jennifer Ehle, Matthias Schoenaerts, Helen McCrory.
Lack of commitment is a constant complaint of many people in the modern west. Unfortunately for the period drama lover, this has now also extended into the glorious realm of hooped skirts and curvaceous furniture. Whilst A Little Chaos offers an appealing concept to its audience in the form of history from below, it fails to deliver. Following the gardener Sabine de Barra’s (Kate Winslet) work to create the renowned rock garden at Versailles, the film explores the role of women at work and the difficulties of getting over a personal tragedy, intermingled with a lacklustre love story and Louis XIV’s (Alan Rickman) search for freedom.