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British Chineseness in the mind of Susie Wong

By Charmaine Au-Yeung It’s mid-March, and my eyes are glazing over he-said-she-said bickering between Home Office officials. Unfortunately, it’s all relevant to my dissertation – I study the Hong Kong Chinese diaspora and their emigration to Britain. I desperately need another coffee but cannot bring myself to buy one (it’s London). Stretching my limbs, I…
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‘A Most Ignominious Thing’: Face-Paint and Cosmetics in Seventeenth-Century England

By Marlo Avidon, @MarloAvidon Today, when people hear the term ‘face-paint’, they typically envision children at street-fairs, or birthday party guests decorated as princesses, cats, or fairies. Yet, in seventeenth-century England, ‘painting the face’ was akin to modern make-up, with various pigments used to colour the face artificially and achieve the contemporary beauty standard of a…
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The Unbearable Failure of Looking

By Ivana Dizdar (@ivana_dizdar) An Arctic seascape. A shipwreck. Polar bears devouring human flesh. This is the scene British artist Edwin Landseer depicts in his 1864 painting Man Proposes, God Disposes. The action takes place within a landscape of glaciers and ice: cold, hard, and jagged. The environment is inhospitable and threatening, just like the feast…


