In December 1615, the renowned astronomer Johannes Kepler first received news that his elderly mother, Katharina, had been accused by a neighbour of witchcraft. A victim of the witch craze that swept through early seventeenth-century Germany, Katharina’s torment lasted for six long years, during which time Johannes temporarily abandoned his research to concentrate on building his mother’s defence. After being subject to a humiliating criminal trial and serving a spell of more than a year in prison, Katharina was finally exonerated in September 1621. This was an ordeal from which she never recovered: Katharina died just six months later aged seventy-six. Read more
Posts from the ‘Bookshelf’ Category
I’m not entirely sure whether I owe my interest in history to my grandmother but she certainly helped. Her house, which until very recently she still lived in, was built in 1972 and hasn’t changed much since. Walking through it has almost always been, with certain exceptions such as an ever larger and thinner television, a walk through a mish-mash of past time. Her attic is an attic of dreams where, as small children, my siblings and I unearthed an old dress from the ‘40s, a bird cage, yellowed women’s magazines with patterns for perfect postwar motherhood and other such treasures. Read more
For the first ten minutes of Helen Edmundson’s Queen Anne at the RSC’s Swan Theatre, I have to confess I was sceptical. The complex political intrigue of the reign of this little-known monarch (1702-1714) is fascinating, but impossible, I thought, to convey on stage in a mere two hours and thirty-five minutes. I was wrong. In a play hooked around the relationship between Queen Anne and her favourite, Sarah Churchill, Duchess of Marlborough, the audience were immersed in the world of eighteenth-century high politics.
By Spike Gibbs
Spike is a first year PhD student in working on office-holding in late medieval and early modern England.
London can appear to be an overwhelmingly modern city with its towering 20th century office blocks and grand Victorian architecture. Whilst there are some very famous medieval landmarks such as the Tower of London, and early modern ones such as St Paul’s Cathedral, these can appear to be oases in the capital. However, if you know where to look London has many surprises for the pre-1750 historian and here are ten of my favourites: Read more
By Jeremy Wikeley
Over the summer I read Rudyard Kipling’s novel Kim for the first time. I enjoyed it a lot more than I was expecting to. Kim tells the story of an Irish orphan who, growing up in India, has a series of adventures, first as the protégé of an elderly Buddhist monk and later as an agent in ‘the Great Game’. Kim enjoys the excitement of espionage but he misses the freedom of life on the road. Kim is a ‘boys own’ tale, but the verve and colour of Kipling’s descriptions of India and its diversity of peoples and cultures give the novel a wider appeal, as does the theme: everyone’s torn between what’s expected of us and what we really want to do.
There are around 2,500 museums in the UK. Many of the larger ones, particularly in London, contain internationally-renowned collections of great historical and scientific significance, and are always worth a visit. In some cases, however, it is the local and specialist museums that provide the most inspiring, entertaining, and educational days out. In celebration of this, the Doing History in Public team has put together a collection of our favourite museum experiences.
If you have a favourite museum, we’d love to hear from you!
By Anna Knutsson @annaknutsson
Anna Knutsson is an MPhil student in Early Modern History at the University of Cambridge. She is currently researching expressions of female involvement in medicine in Renaissance Florence.
Director: Alan Rickman
Cast: Kate Winslet, Stanley Tucci, Alan Rickman, Jennifer Ehle, Matthias Schoenaerts, Helen McCrory.
Lack of commitment is a constant complaint of many people in the modern west. Unfortunately for the period drama lover, this has now also extended into the glorious realm of hooped skirts and curvaceous furniture. Whilst A Little Chaos offers an appealing concept to its audience in the form of history from below, it fails to deliver. Following the gardener Sabine de Barra’s (Kate Winslet) work to create the renowned rock garden at Versailles, the film explores the role of women at work and the difficulties of getting over a personal tragedy, intermingled with a lacklustre love story and Louis XIV’s (Alan Rickman) search for freedom.
Typing #WolfHall into Twitter reveals no end of enthusiasm about the BBC’s current Tudor drama. Even Prince Charles has admitted to ‘enjoying’ it.1 However, not everyone is happy. Historian and television presenter David Starkey has described both the novel and the TV adaptation as a ‘deliberate perversion’ of history, expressing particular discontent at the level of emotion shown by Thomas Cromwell.2 Read more
by Federica Tammarazio
Università degli Studi di Genova, Italy
For LGBT History month, we are happy to host art historian Federica Tammarazio to celebrate the anniversary of “Notes on camp” by Susan Sontag.
Fifty years ago (fifty-one actually) art critic Susan Sontag published “Notes on camp“, a series of reflections on Camp culture. According to her own definition, “Notes on camp” was not meant to be a manifesto, but rather a tool to define and understand ‘camp’ sensitivity, which she thought “more appropriate for getting down something of this particular fugitive sensibility. It’s embarrassing to be solemn and treatise-like about Camp”
What was camp back then? And what is it now?
by Tiia Sahrakorpi and Janine Noack
This morning the second episode of the BBC Radio 4 programme, Germany: Memories of a Nation aired. Janine Noack (JN) and Tiia Sahrakorpi (TS) provided...
As the first part of the last season of Mad Men comes to an end, it seemed a good opportunity to reflect on my interest for period dramas and historical fictions. For an historian, watching period TV shows and films can sometimes be irritating. Even though I know that they are not academic works and that they do not necessarily aim to perfectly depict history, I more than once find myself grumbling at my screen (yes, I am looking at you, Downton Abbey!). However, from Boardwalk Empire to Ripper Street via, obviously, Mad Men, there are many quality period dramas which, while taking a few liberties with the stories of existing individuals, give the essence of what life looked like for a certain population at a certain time.
By Emily Ward
In the beginning of his historical novel, Laurent Binet warns the reader with a quote from Osip Mandelstam, “Once again, the writer stains the tree of History with his thoughts”. Yet, despite commencing his book with this ominous forewarning, Binet leaps straight into the fray to attempt to combine the composition of a novel with the approach of historical writing. And (in my opinion) he succeeds with style. Read more
By Joan Redmond
Next month sees the London opening of the theatrical productions of Wolf Hall and Bring Up the Bodies, the two hugely successful novels by Hilary Mantel that focus on the life of Thomas Cromwell. Cromwell rose to become Henry VIII’s chief minister during the tumultuous 1530s, which witnessed the rise and fall of Anne Boleyn as well as the beginnings of the English Reformation. Mantel’s books have been justly praised, winning almost all the major literary prizes and reinvigorating Cromwell for a new audience.
By Marta Musso
I would like to inaugurate film reviewing on DHP with “The battles of Algiers” by Gillo Pontecorvo, perhaps the most important film on terrorism and counter insurgency ever made. It tells the story of the Algerian war by focussing on the years 1956-1957, the period of guerrilla warfare in the capital.
By Emily Ward
What does the early Middle Ages have in common with the Illuminati, the moon landing and JFK? The answer – that, like the other three, it has also been the subject of a conspiracy theory – may come as a surprise. This conspiracy, often called Phantom Time Hypothesis, suggests that the early Middle Ages never really existed. When conspiracy theories like this come into direct conflict with accepted historical fact, how should we, as historians, approach them?
By Julia Bourke
Every history has a beginning. But if you were attempting to write a complete history of human beings, where would you choose to start? Daniel Smail attempts to answer this question in his book On Deep History and the Brain, which looks at history from a completely different perspective than a historian normally would.